Thursday, January 24, 2019

Uncanny X-Men Annual #1 (2019) -- A Review

Sometimes, you've just got to strike while the iron's hot.  I have several posts in the works from just the idea/desire to a stack of books (already assembled) to be used for reference, but I may never get around to them.  However, I did just read Uncanny X-Men Annual #1 (2019 version) and really enjoyed it.  So, while the enthusiasm is running high, I'll see if I can cobble this together in record time.

First, a confession.  Cyclops is my favorite member of the X-Men.  From the time I acquired those Claremont/Byrne-era back issues, Uncanny X-Men #109 thru 126 (minus #111), from a trade of some sorts [Is that where my Daredevil #3 and #4 went?] with a neighbor, I always liked him best.  Maybe it was because he grew up without a father or because he was having trouble getting the girl he was interested in reciprocate; and I could certainly relate to both.  Besides his costume and powers were cool too!

Although, he was also like the Charlie Brown of the mutant-set.  Dark Phoenix is your girlfriend?!  You finally are connected to the love of your life and you have to lose her right after! Then you find new love, but that's all destroyed when she turns out to be a clone-whatever.  And the dead girl didn't really die like you thought, so you end up ditching your clone-wife! I may not have all the details straight, but things only got worse from there.  He loses his leadership with the X-Men, establishes X-Factor, his son is kidnapped (I think), etc. etc.  And all those soap-operatic events happened in the glorious Copper Age.  Flash-forward to about 6 years ago or so, and he kills Professor X?!  Later he dies himself?!  Everyone hates his guts?!  He dies again! Is it any wonder that I've had trouble consistently reading X-Men since the big relaunch, way back in 1991?

But soon after in late 2012, there was some hope.  All-New X-Men #1 premiered and the original X-Men were brought back from the past to the present to fix all the royally screwed-up stuff going on or at least that was the premise.  I followed the series for a good bit, before dropping off again for some reason.  Hmm, character retcon, perhaps?  Well, recently Marvel decided to send those kids back in time where they belonged in the really entertaining 5-part limited series, Extermination.  Being able to come relatively cold to the current X-Men story line with their way-too-many side characters and totally dig the series was no small feat.  Isn't it ironic how they always talk about how there are so few mutants, but there are actually too many to keep track of and follow? 

The first issue really blew me away. BAM!  Cable is a younger version of himself.  He actually refers to it as "retiring".  Wow, and best of all was the ending -- Cyclops is BACK -- ALIVE -- and wearing the visor again in a beautiful silver finish.  I definitely had my local comic shop, the stellar Cosmic Comix,  put this Annual in my box since it was a direct continuation... (more after the break [SPOILERS]).

Friday, January 11, 2019

Dark Shadows Beginnings -- A Review

I'm way behind in my new comic reading.  And I'm making slow progress thru some of my more recent hard cover acquisitions.  The reason?  Too much TV (as always).  How can that be when all the CW comic-related shows (including the excellent Riverdale) are on winter hiatus and the Marvel Netflix shows are all but done (sob)?  Amazon Prime.  Or rather, the free streaming shows available on that service.  It all started around Halloween when looking for something spooky to watch, I viewed the Dan Curtis Production of Frankenstein (1973).  It reminded me of Dark Shadows.  I then caught the film-quality version of Dan Curtis' Bram Stoker's Dracula (also 1973) with Jack Palance, who if you believe the internet was the inspiration for Gene Colan's depiction of the character in the Marvel Comic.

After a few more Dan Curtis classics(?) such as a werewolf in LA and a zuni doll from Trilogy of Terror (filled with plenty of jump-scares), I decided to delve back into watching Dark Shadows.  I became a fan of the show over a quarter of a century ago around the time I got married.  It was on the Sci-Fi (now SyFy) Channel (back when it contained good material) where they aired at least two episodes back-to-back, I think around 10:00 am (after the Six Million Dollar Man or Incredible Hulk).  I had seen odd episodes here and there, but this was the first time I recall making a concerted effort to watch the series regularly.  I remember seeing much of the late 1860's story line, where Barnabas' consciousness enters his entombed body during that time and meets the "real" life Quentin (I think to deal with the music-appearing spook version from 1968 [then present day]).

I even got a few books on the series back then celebrating its 25th anniversary, so I read synopses of most of the episodes.  After all, how could anyone watch them all?  Back when MPI was issuing video tape versions, each one was about $30 each and contained a week's worth of shows, meaning only five 22 minute episodes.  That's quite an expense when you understand that there were 1225 episodes!  Enter Amazon Prime.  A search will show you that they have divided the series into 26 "collections" of around 40 episodes each.  As a daily [Gothic-horror] soap-opera (did I forget to mention that?) there were no yearly seasons as we understand them, which means they just broke them up into roughly even chunks that stop whenever, not necessarily at the end of a major story arc.

Picking up roughly where I had left off in the mid-1990's (and possibly later as my older kids remember watching some of the show with me at times - maybe from the library?), I began watching Collection 17, episode 27 (#884 or sequentially #873), which originally aired on 1969 November 13.  This means I was viewing it almost exactly 49 years later!  (The episode numbers don't always add up due to interruptions and them always wanting the Friday episode with the bigger cliff-hanger to be a multiple of 5.)  It was a show that I could watch by myself, when others are watching This is Us or Call the Midwife.  But a funny thing happened.  My 10-year old son, "Manny" (Matthew Jr.) started watching it with me.  He enjoyed it enough that he got upset if I watched it without him (shades of Netflix show viewing with my beloved wife)!  So, I waited, and waited.  Our progress became too slow for my purposes.  I kept watching with him  -- we're currently thru Collection 20, episode 15 (#996 or sequentially #981), which originally aired on 1970 April 20 (nearly a month before my birth!).  We've seen the entire Leviathan story-line and have entered into 1970 Parallel Time.

I didn't like having nothing to watch when he wasn't available (or willing), so I went back to the beginning.  Specifically as it is listed on Amazon -- Dark Shadows Beginnings.  It's a six-part collection that includes the first 206 episodes (thru #209), spanning from 1966 June 27 to 1967 April 14.  All of these precede the first appearance of Barnabas Collins (at least in person).  You may question the need to view the episodes before things "got interesting".  Well, I'm here to tell you (after an extremely long-preamble/warm-up exercise), that there are plenty worth watching.  It's OUTSTANDING!!!

But where to begin...How 'bout the way each episode does:

"My name is Victoria Winters..." 
[more after the break]

Tuesday, December 25, 2018

The Reason

December 25, 2018

Yes, I grew this beard for a reason.
You ask, “In honor of the season?”

Ho. Ho. Ho.
Not So!

(Though my belly has begun to shake,
I’m afraid that’s from too much cake.)

It’s my brother’s fault you see…
He was only honest with me.

Now, instead of having the clean shaven chin
Of Burke Devlin or Popeye the Sailor

My skin is more akin
To the incarcerated face of George Taylor!

Remember him?  The famous film-guy,
Who confronted with destroyed Liberty
Knelt in the sand, wet from foaming seas,
And CURSED the human race!


Strange Contrast

Remember Him?  The sinless God-Man,
Who surrendered His will to gain our freedom
Knelt in a garden, sweat as bloody drops,
And BLESSED us by choosing to take our place!

And he said, “Father, if you are willing, let this cup pass from me; however not my will, but yours be done.”

(Yeah, that’s all true
And Jesus can certainly SAVE you)

But if you’ve got to know why,
On the day we sing of the babe that slept with cows.

I’ve just got to say,
I was only covering up my jowls!


Sunday, November 18, 2018

Lou Scheimer: Creating the FILMATION Generation -- A Review

I picked this up during TwoMorrows' nearly month-long Black Friday Sale last November at a substantial discount and have been reading it off and on since it arrived, finishing it on Friday, 2018 Feb 23.  The bulk of the reading took place before basketball games and during half-times with me then finishing up certain chapters before bed.  Sometimes this turned out to be a real distraction, since I didn't want to stop reading even when the games started, especially when the subject covered a show that I was particularly fond of from childhood.  However, it wasn't just the shows that I was interested in by that point, I wanted to spend more time with Lou and hear what happened next in his life!  Needless to say, I thoroughly enjoyed this intimate and personal autobiography.

The book is primarily black and white with a small color section.  However, it came with a FREE digital version download that was in full color.  It would have been nice to have the print version be full color, but I can understand the need to keep costs down, and honestly, I prefer the regular matte paper versus the glossy color magazine style.  I think it is another testament to the compelling story that I wasn't deterred from reading a book about color cartoons in black and white.  Since I only read digital media on a PC (no hand held devices yet), it wouldn't have been the same reading experience for me on the screen.  Opening a physical book just connects you more with the material, I think.

Lou was born in Pittsburgh, Pennsylvania to Russian and German Jews, which had immigrated to the US in the early to mid 1920s.  The first chapter is entitled, "Wherein My Father Punched Out Adolf Hitler Years Before Captain America Did (1928-1946)".  His experience of growing up Jewish in Pittsburgh is very engaging and was a great way to start the book, because it not only established important background, but it helped you get to know him more as a person, rather than just what he later did. That personal thread is throughout the whole book.  He talks about his time in post-WWII Japan and his courtship with Jay, who would become his beloved wife.  She was thought of as a shiksa by some in his family.  Choosing to marry a non-Jew, illustrates early-on his attitude of accepting people based on their character, regardless of their diversity label.

I believe the book was primarily constructed from interviews, since it has such a narrative style to it.  You really do feel that Lou is conversing with you the whole time. You learn of his passion for quality children's entertainment to mean something and have pro-social messages.  The trials and travails of the animation industry are recounted as well, along with his mostly successful (for FILMATION) but ultimately doomed efforts (for the industry) to keep the work stateside. But he doesn't gloss over his mistakes and regrets either.  He cusses at times and drinks too much on occasion, which caused him to forget to credit his friend Hal Sutherland during his Emmy acceptance for a Star Trek episode.  And when he mentions a person that was troublesome or a jerk, well he doesn't mince words even when he's trying to restrain himself from saying too much negative about them.

Andy Mangles' role in fact-checking (with help) Lou's tale and his reconstruction of the interviews is essential to making this book flow so well.  Many of the chapters, generally focusing on specific periods or years, foreshadow to future events later in the book, making this reader salivate for the next juicy morsel.  By the time it got to shows that I wasn't particularly familiar with or interested in, I was hooked because I still wanted to listen to Lou.  There is also an exhaustive amount of FILMATION facts and details. I think one could skim some portions that were more strictly business related without taking too much away, but it's also so entwined with his story that I'm only talking about isolated paragraphs here there, where numerous names are listed (kinda of what some people do when reading Numbers).

Lou's reflections on his life are bittersweet.  Just when FILMATION is doing its best year, things quickly change, which leads them to abandon the Saturday Morning networks, which had largely abandoned them already, to produce He-Man and She-Ra in syndication, certainly their most successful shows ever. However, their pioneer work on the weekday cartoon series phenomenon is quickly crowded out by a glut of such shows on the market. Then thanks to a vicious buyout by a company that only wanted their back catalog and not their studio, it's all over very abruptly not long after their 25th anniversary.  Lou's efforts to get back to work over the next 15 years isn't very fruitful at all.  His final thoughts on his legacy and life are Solomon-esque in their wisdom of ups and downs and what really matters at the end of it all.

My copy of the book is a second edition, published in 2015.  I didn't realize this, so I was shocked to learn (the day I finished the book) that Lou had already died in 2013, less than a year past the first edition (late 2012).  And here I was thinking of how nice it would be to meet with him at a convention someday.   I had seen the Lou Scheimer gallery at Pittsburgh's Toonseum on 2015 Jul 31 before attending an ApologetiX concert in Wexford, PA.  It was relatively small, but I immediately recognized the film cells from the cartoons.  Regrettably, the Toonseum closed its downtown doors just yesterday (as of this writing) on 2018 Feb 24.  It was a neat place.  I hope it comes back someday and that Lou's gallery becomes even more prominent.

I am certainly one of the FILMATION generation.  I grew up on these shows before I even started getting comics (and that may be a subject of a future post: TV's role in comics).  My favorite FILMATION shows (in no particular order) were/are STAR TREK: The Animated Series*, TARZAN of the APES**, FLASH GORDON*, BLACKSTAR, Lone Ranger, and the live-action SHAZAM*, ISIS*, and ARK II*.  I also remember watching Fat Albert and the Archies* on occasion.  The * represents DVD box sets that I'm very happy to have in my collection, since some of them are way too expensive these days.  The ** represents a recent purchase from a Canadian online site called RETROTVMEMORIES, so that I could get the remaining episodes of Tarzan.  (The one readily available only covers the first season's 16 episodes, missing 24 others.)  RetroTV is a good source of out-of-print material, but the quality is variable -- still better than watching bits and pieces on YouTube.  I can also recall the anticipation of wanting to watch Journey Back to Oz on the SFM Holiday Network, which I always seemed to miss.  After reading this book, I even have a strong desire to delve into He-Man and She-Ra someday.

Some of my Filmation boxsets (forgot to include Tarzan).

I've been blessed to be able to share some of these shows with my children. The music is incredible, the live-action acting is very authentic with great "after school special" style morals, and most of the stories are really great.

If you're a FILMATION fan of any of their material, this is a MUST READ.  And if you just want to get to know a guy who tried to do his best all his life, but didn't always succeed.  A creative person who struggled at the end, living past his "prime" years, but was eventually rewarded by the fans who appreciated his shows that shaped their lives, then this is HIGHLY RECOMMENDED.  It really makes me think of all our favorite comic creators that had super hot streaks, but eventually fell out of favor for various reasons.  We don't always get to know them personally or their stories, Lou's story is a good representation for ALL of them.

BONUS -- Here is the ISIS commission I got from Jerry Ordway this year at the Baltimore Comic-Con (according to him his first drawing of the TV version).

Sunday, October 28, 2018

The State of Comics And...

Our beloved founder and zen "pool" master, Jim, has let it be known that he's bowing out of our Comics And...Other Imaginary Tales reunion tour.  He's certainly been the guiding force behind this endeavor, encouraging us with his comments and schedule reminders.  Not to mention he's the one person we can always count on to actually read our posts.  According to said schedule, Shawn and Lee are up for the next two Sundays, but I honestly don't know if they or Thomas will want to continue on a regular basis or not (Gwen was already taking a hiatus).  I for one have two posts "in the can" to share that I keep pushing back for newer material.

Anyway, I, personally don't plan to stop (the "...of course, we can still be friends" stage), but in terms of a standard rotation or organizational format, I think it will be whenever the mood strikes us, i.e. "No Deadlines!"  It'll be interesting to see if not having the deadlines will promote more posting or less.  We're all quite busy (as I'll discuss more below) and this is just for fun.  I appreciate the opportunity to express myself and this is an awesome way to accomplish that on a semi-regular basis.  Without it, I'm just reading/thinking about stuff by myself and that's not nearly as enjoyable as being part of the larger Comics community.  We may not be comics creators (yet), but somebody's got to be the "Siskel and Ebert" too.  To quote Roy Neary from Close Encounters of the Third Kind, "This means something; this is important." Or not, maybe we just like to play with our mashed potatoes...

So, in typical comic-fashion, I've been having a Crisis of sorts...A Crisis of Too Many Unread Comics!  (That was going to be the original title of this post. I probably have well over a hundred by now.)  Every week almost without fail I faithfully stop into my Local Comics Shop (LCS) on New Comics Wednesday, the stupendous Cosmic Comix and Toys, which I've been a patron of for over 20 years.  I truly love it there, not just the atmosphere, but the chance to chat with the gang and the regulars.  It's a bit like my version of Cheers.  I get my books hand delivered for me from my box, or I'm allowed the privileged to go behind the counter and get them myself.  I carefully study the issues (like Juan Valdez) and if necessary go to the rack and select the best copy possible. The service is exceptional. They'll place stuff in my box (beyond my "normal" list based on just an e-mail [sometimes the day of]) to check out with no pressure or obligation to buy.  I can always put something back, because they know there is always something else I'll probably pick up.

Even when I try to cut back, I usually get something new.  For example, this week I picked up Batgirl #25, 26, 27, and 28.  The art by Paul Pelletier was the main draw, but the story was really great too and I highly recommend the series (and may discuss further in another post).  I canceled Vampironica by Archie Comics.  It was like a combination of Buffy and Blade with Archie characters and drawn by the excellent Greg Smallwood, but EVERY issue arrives DAMAGED.  I might be willing to pay a buck for a beat up book, but not four!

I also picked up a slew of Marvel books, including a lot of Infinity Wars/Warps tie-ins. (I really enjoyed Duggan's All-New Guardians of the Galaxy, but they've gone overboard with this Warps concept (trying to create the next Spider-Gwen or Cosmic Ghost Rider.) Really, the best thing about Marvel is their digital codes.  I have a friend in Australia who Paypals me cover price minus $2 for each of them.  It's a huge savings for both of us. Unfortunately, I've gotten so far behind in my Marvel reading that I get the books only to bag and board them for months at at time until I give up on ever hoping to read them and relist on ebay.  I just sold my Venom:First Host lot last Friday.  I actually read that and liked it, but it was one of the few things I thought would actually sell , so up it went (it took less than 24 hours).  It might have helped that I listed it for cover price minus a dollar per issue to account for the lack of digital codes.  I loved the finale of Dan Slott's Amazing Spider-Man, but the new series is a little too tongue in cheek for my tastes. Sure, it's funny and entertaining, but it doesn't feel like Spider-Man to me.  A lot of books are that way.  Then there are the super serious ones like Immortal Hulk and Captain America, both sporting exceptional Alex Ross covers.  I enjoy the Hulk quite a bit, but Cap is unreadable and the middle-aged Sharon Carter desperately hoping for some affection from Steve is painful to watch.

To be honest, I'm digging DC books more than Marvel right now. Hawkman by Bryan Hitch is a stand out for me along with Tom King's Batman, the recent Two-Face arc in Detective Comics and Justice League Dark.  Then there are the mega maxi-series like Doomsday Clock and Heroes in Crisis (are those people really supposed to be dead?!  Wally West?!  We just got him back!)  Although, I've given up on reading the Bendis Superman books for now.  Of course, I'm still buying them all, but I'm three months behind (times two series) and I'd spend all my limited time catching up. (Plus, I really hate Rogol Zaar and can't wait for him to be gone.)  Now, I may eventually binge read a bunch or try to sell them.  I've been getting the new Justice League series, but I'm like 9 issues behind now and the Drowned Earth series is just going to further tax my budget.  You can buy them here (second shameful plug).  Despite my interest, I'm just not invested in these storylines right now.  If only that were true for all the comics related TV shows I partake in...

I love all the Marvel Netflix series (those that are left, sadly).  I watched Iron Fist season 2 twice, the first viewing in 26 hours.  Then I rewatched Defenders with my daughter and started Daredevil season one for the umpteenth time.  I'd probably be well on my way of watching Daredevil season three by now, but my wife wanted me to wait to watch it with her (it's been a week since episode three [SOB]).  The fever has at least left me for now.

The new CW shows are all in full swing with Riverdale being my favorite.  Flash seems promising again this season, Legends is still a lot of fun, and Arrow has been pretty good.  I'm really excited that John Wesley Shipp is returning as the 1990's Flash in an upcoming cross-over.  I've been waiting for that since the beginning of the show.  I like Black Lightning, but I'm going to probably wait to binge it once the season is over.  I don't want catching up on my weekly TV shows to be a part-time job!  Besides, there are still some Petticoat Junctions to watch (excellent series, so funny).  My youngest son and I are about to finish the original Lost in Space series, which we usually view on Friday mornings before he goes to school.  We've finished the 60s Batman series and Six Million Dollar Man.  We need to finish Buck Rogers, Bionic Woman, and The Incredible Hulk.  We took a side trip and enjoyed the first (only?) season of the Justice League Action cartoon, which included great portrayals of Firestorm and Booster Gold.

So obviously, TV watching, which I'm highly invested in, takes up a bunch of my "free time".  Then there is blogging (thinking about what I want to write at least) or ebay listing (thinking about what I want to sell at least), not to mention unscheduled Facebook challenges!  There are also the numerous hardcovers I'm getting.  These are high on my reading list and kick the new comics to the curb.  The Doug Moench Fantastic Four's have been slow going for me (Marvel Masterworks volume 20).  Bill Sienkiewicz draws an unsettling Reed Richards with his neck always stretched out. The latest Iron Man volume (#11) contains some favorites and I'm eagerly awaiting volume 12 next Spring.  So much to read, so little time.  That doesn't even bring into play the fact that when I do sit down to read something, I often fall asleep!  Or when I wake up in the middle of the night from insomnia on the weekends (or just get up early), my eyes aren't focused enough to actually enjoy reading.  Plus, even with my new Oscar Goldman's I still have to vary the distance to get perfect clarity.

The point of this all is that I really need to change my buying habits.*  This year's Baltimore Comic-Con reminded me how much I love original art and classic Bronze Age comics.  If I severely reduced my new comic list, then I could afford some really cool commissions.  But it's so hard to stop, after all part of the act of buying something you may never read is a hopeful endeavor...a promise that you really will get that time by the pool to relax and enjoy something special one day.  What I want is a series or character I really care about like I do my favorites on TV.  Batgirl has some strong potential at least.  But some of the big may be a great story, but in the scheme of things I can live without it or wait for the trade. 

*My motivation for the books I'm getting is out-of-whack:  It should be reading first, then collecting, and finally looking at resale value.  Instead it is more backwards, looking for resale (buying the next issue to help with a sale), mindlessly collecting, and then reading.

I have enjoyed some independent books lately too like Isola, Oblivion Song, and Hey, Kids Comics!  Unfortunately, the Simpsons ended it's 25 year run with Bongo the other week.  We didn't even get a new Halloween Treehouse of Horror this year.  Speaking of Halloween, the kids are back from the Halloween-Disco (thankfully I found that 5-spot on my dog walk earlier which helped pay for them to go), so I better sign off.  Happy Halloween and I'll see you around sometime when you least expect it.  Keep Reading!

Sunday, October 21, 2018

Royal City

Image result for royal city lemireJeff Lemire is a busy man. Most of it is writing, sure, but at the time this was published he was working on several books for Marvel, a couple for Dark Horse, and several for Image, including this one and AD where he also did the art. In Royal City his stated intent was to tell a long, more or less open ended story, but he soon realized that he was reaching the point of telling the story he wanted to tell and that forcing it further would be counterproductive. So it went 14 issues instead.


And a good decision it was.


Straight off, if you like his Essex County work you’ll like this. He even slips in a reference to that work in mentioning an opposing football team for the high school four of the characters in the story attend. If you don’t like Lemire’s art, as I know one person who doesn’t, this book isn’t for you.


I’m a fan of both his art and writing, especially when the latter is of characters of his own creation, such as this and Descender, which also just ended (sort of). More on that another day. Whether Essex County or the more fantastic Sweet Tooth, I find his art unique, spare, and wonderfully sketchy.


But on to this show. The story in Royal City is of the Pike family of the titular company town. The story takes place in 1993 and the present of 2017 when the book started. Peter and Patti have four children, Patrick (Pat), Tara, Richard (Ritchie), and Thomas (Tommy).


The 1993 portion of the story is in the fall. Pat graduated in the spring, but his lofty ambitions of being a writer only have him working a drill press at the Royal Manufacturing plant where his father is a floor supervisor who’d rather be back on the floor. Tara is a senior with a boyfriend and is determined to not lead her mother’s life of young parenthood and frustrated ambitions. Ritchie is an outrĂ© personality and vigorous imbiber as well as adherent to libidinous habits that leave his girlfriend, Clara, betrayed. Tommy is 14 months younger than Ritchie and a freshman who suffers debilitating headaches that further his preference for being alone with music and his thoughts.


Image result for royal city lemireThings happen in 1993 that determine how the family interacts in 2017. In 2017 Peter has a stroke that leaves him in a coma, drawing Pat, now a successful writer under a past due deadline for his next book, back to Royal City. Tara is not her mother, though she's still living in Royal City.  Ritchie is a floor worker at the plant.  Tommy is the most obviously trapped in 1993, but all of the Pike family has been stuck because of events that happened then.

The struggles among them, spouses, affair partners, and a surprise grandchild are all told with a spectral presence who is perceived how each of the Pike family idealizes him. Each family member, reasonably or not, has guilt associated with the spectral presence.


One of my favorite aspects to the story is that marriages continue or end without over the top dramatics. There are arguments. There is sniping. But there’s also self awareness enough that all of the characters in three distressed marriages recognize there’s no high ground. No one is superior to anyone else in dissatisfaction with how the marriage is proceeding. Each of the distressed marriages is distinct in the causes and dynamics, with each coming to its unique resolution.

This isn’t a book to read if you’re looking for fighting. There are exactly two instances of anyone being punched. This is a book about relationships, events that stress and strain them, and how letting go of past events that have damaged those relationships doesn’t create Hollywood style happy endings but does tend toward happier people.
Image result for royal city lemire

A little bonus feature to Royal City is that Lemire throws in a mix tape at the back of each issue.  These are songs that influenced him or to which he listened during the creation of the story.  Or maybe just enjoyed that day.  Anyway, if you want you can compile the songs and listen as you read, if you're so inclined. 

The only writing for the Big Two that Lemire has done that I have read has been Moon Knight for Marvel.  On the whole I've been dissatisfied with the results of independent voices like Lemire writing characters that are owned by a corporation rather than the creator, but I did enjoy his Moon Knight work.  If your only experience of Lemire's work is Moon Knight or another of the corporate cowls, read Royal City, Essex County, Descender, or AD

Monday, October 08, 2018

Old Comics Teach Boys How to Be Men

Everyone knows Golden Age Comics can be, to be kind, inappropriate.  Have you ever wondered how the Silverage stacked up?  Well wonder no more because I'm about to tell you.

The book, Sarge Steel #1, from Charlton Comics, published December 1964.

The question, what to do when a woman is crying?  See the panel below...

So, what could you do?  Hug her to sooth her?  Talk to her calmly until she isn't frightened?


And now you know how to deal with crying women!

Oh my on my how times have changed.