New Post at WCS
Sunday, November 06, 2011
Six Guns #1 - A Review

One of the things that makes mainstream superhero comics so attractive to their readers is the concept of a shared universe. We like the idea that a kid with spider powers can exist in the same world as a spirit of vengeance who drives around on a flaming Harley, and when done correctly, it can be fun to see how they all work together.
Six Guns is an example of the kind of book that takes advantage of that kind of shared universe.
Saturday, November 05, 2011
Amazing Spider-Man #673: Spider-Island Epilogue – A Review (and Rant)
Finishing well is better than starting well and it can even help all the problems along the way to be forgotten or at least they become less important. (It reminds me of Ezekiel 18:21-23.) Spider-Island had both its strong points and it’s weak points, but for the most part it ended well. This good vibe started toward the end of last issue, where Peter saves the city using millions of tiny Octobots to cure everyone from their monstrously mutated spider forms (a VERY weak point). Our friend Shawn expounded on this in his review for our local comic shop and I agree with him that this positive turnaround can be attributed primarily to one person: Mary Jane.
Friday, November 04, 2011
Colossal Collection of Action Poses
And this week for something completely different I read a book on how to become an artist. Well, actually not how to become an artist but how to become a better artist. This week I read, looked at, and attempted to use Colossal Collection of Action Poses by Buddy Scalera.
Over the years I’ve come to dislike the concept of photo reference. The problem for me is there has been a tendency for artists to copy photos making their art look very static and dull. Shame on me! I knew that many of the EC artists posed for each other during the 50’s but I’d forgotten that photo references are one of the best ways to insure your work as an artist has the best feel to it.
The Colossal Collection contains lots of photos of both men and women in various poses. There are action shots like flying, jumping, punching, and pushing. There are shots of people using weapons including knives, guns, and even bows. There are people in everyday clothes and people getting dressed and undressed. Basically there is a photo for just about everything. But that isn’t what makes this book so special.
This book is special because it's more than just a book of photos. It's an actual tutorial on how to use photo references given by some of the best artists in the business. There are demo’s/tutorials by Mitch Breitweiser, Rafael Kayanan, Matt Haley, Jamal Igle, Terry Moore, Michael Oeming, Josh Howard, and Paul Chadwick to name a few.
Each artist uses one or more of the photos to create a simple piece. While using the photo the artist also talks about his technique for making a drawing. For example, Kayanan uses a photo to create an alien warrior. He walks through his process from rough sketch, to refined pencil sketch, creates tones, then scanning, then working in photo shop! It’s a 5 page, 9 step sequence that walks you through the process.
In comparison, Ingle walks you through a six step process showing you how to combine six pictures into one giant piece. Terry Moore talks about how to read a photo and understand the information within it. Oeming even talks about tracing. Yes, tracing!
The diversity of the artists represented is a real benefit to the book also. Seeing how Oeming and Howard, whose artistic styles can be called ‘cartoony,’ contrasted to Greg Land’s style creates a perfect contrast in techniques. The various artists and discussions show how photo references can be applied to any artistic style.
I would recommend this book for mid level artists because there is an expectation that you have a basic understanding of anatomy and perspective. Overall, this is a book that any artist could use over and over again and I highly recommend it.
Visit Buddy Scalera's Comic Book School here and see all the other cool books he has.
You can buy the book from Amazon here.
Over the years I’ve come to dislike the concept of photo reference. The problem for me is there has been a tendency for artists to copy photos making their art look very static and dull. Shame on me! I knew that many of the EC artists posed for each other during the 50’s but I’d forgotten that photo references are one of the best ways to insure your work as an artist has the best feel to it.
The Colossal Collection contains lots of photos of both men and women in various poses. There are action shots like flying, jumping, punching, and pushing. There are shots of people using weapons including knives, guns, and even bows. There are people in everyday clothes and people getting dressed and undressed. Basically there is a photo for just about everything. But that isn’t what makes this book so special.
This book is special because it's more than just a book of photos. It's an actual tutorial on how to use photo references given by some of the best artists in the business. There are demo’s/tutorials by Mitch Breitweiser, Rafael Kayanan, Matt Haley, Jamal Igle, Terry Moore, Michael Oeming, Josh Howard, and Paul Chadwick to name a few.
Each artist uses one or more of the photos to create a simple piece. While using the photo the artist also talks about his technique for making a drawing. For example, Kayanan uses a photo to create an alien warrior. He walks through his process from rough sketch, to refined pencil sketch, creates tones, then scanning, then working in photo shop! It’s a 5 page, 9 step sequence that walks you through the process.
In comparison, Ingle walks you through a six step process showing you how to combine six pictures into one giant piece. Terry Moore talks about how to read a photo and understand the information within it. Oeming even talks about tracing. Yes, tracing!
The diversity of the artists represented is a real benefit to the book also. Seeing how Oeming and Howard, whose artistic styles can be called ‘cartoony,’ contrasted to Greg Land’s style creates a perfect contrast in techniques. The various artists and discussions show how photo references can be applied to any artistic style.
I would recommend this book for mid level artists because there is an expectation that you have a basic understanding of anatomy and perspective. Overall, this is a book that any artist could use over and over again and I highly recommend it.
Visit Buddy Scalera's Comic Book School here and see all the other cool books he has.
You can buy the book from Amazon here.
Thursday, November 03, 2011
The List
I think I've fairly well winnowed the readable from the worth spending money to read among the new DCU titles, but that still leaves quite a few. I'm considering adding I...Vampire, too. As it turns out, and not too surprisingly, it's mostly the lesser knowns that have garnered my attention. Still not as good as the Vertigo offerings, but a good start for this now DC world. And all Marvel's one title I'm getting is doing is irritating me.
1. Invincible 83 - This is one of those watershed issues where Kirkman does something irrevocable to someone. The fact that it features Magmaniac and Thether Tyrant, to of the greatest B, maybe C, level villains ever sells it that much more. Prior to this these two have been largely tangential characters, somewhat laughable in their inability to succeed in crime or legal activity. There's always been a bit of undercurrent of homoeroticism to their relationship, with the triangle completed by whatever relationship Tether Tyrant has with his alien symbiote. Now, with a major change in their relationship, and a major change in Tether Tyrant's powers, it looks like Kirkman, Ottley and Rathburn have something interesting in mind. Looking forward to seeing just what.

2. Scalped 53 - This is one of the few books where I'm looking forward to an ending. It has to have one to work, and it certainly seems to be approaching. Curiously, I find myself rooting for Sheriff Karnow. He and Officer Falls Down are the only people who are trying to do what their job description says they're supposed to be doing, especially when it comes to law enforcement in this book. Dash is more occupied with revenge on Catcher than building a case against Red Crow. Nitz is, as always, obsessed by his own revenge against Red Crow, to the point of sacrificing a guy who is trying to do his job right. In the midst of all that, Shunka has put himself in a position where he's not supported by Red Crow and is targeted by Rath. All coming to a head.
1. Invincible 83 - This is one of those watershed issues where Kirkman does something irrevocable to someone. The fact that it features Magmaniac and Thether Tyrant, to of the greatest B, maybe C, level villains ever sells it that much more. Prior to this these two have been largely tangential characters, somewhat laughable in their inability to succeed in crime or legal activity. There's always been a bit of undercurrent of homoeroticism to their relationship, with the triangle completed by whatever relationship Tether Tyrant has with his alien symbiote. Now, with a major change in their relationship, and a major change in Tether Tyrant's powers, it looks like Kirkman, Ottley and Rathburn have something interesting in mind. Looking forward to seeing just what. 
2. Scalped 53 - This is one of the few books where I'm looking forward to an ending. It has to have one to work, and it certainly seems to be approaching. Curiously, I find myself rooting for Sheriff Karnow. He and Officer Falls Down are the only people who are trying to do what their job description says they're supposed to be doing, especially when it comes to law enforcement in this book. Dash is more occupied with revenge on Catcher than building a case against Red Crow. Nitz is, as always, obsessed by his own revenge against Red Crow, to the point of sacrificing a guy who is trying to do his job right. In the midst of all that, Shunka has put himself in a position where he's not supported by Red Crow and is targeted by Rath. All coming to a head.
Wednesday, November 02, 2011
Image Previews for January
Lee: Maybe the month won’t be so bad this month after all. Image has a bunch of great comics but no crushing hc’s this month. Thank goodness.
Thomm: Image has some good stuff, though I’m admittedly primarily a buyer of the Kirkman work.
FATALE #1
story Ed Brubaker
art / cover Sean Phillips
colors Dave Stewart
32 PAGES / FC / $3.50
Guns! Sex! Secret Cults! And Monsters! A reporter in 2012 stumbles on a secret that leads him down the darkest path imaginable… to a seductive woman who’s been on the run since 1935, a mobster who may be an immortal demon monster, and the stories of all the doomed men who’ve been caught in their decades-long struggle. Fatale blends noir and horror to tell a riveting epic unlike anything you’ve seen before.
Lee: I’m to the point where I see Brubaker and Phillips name on a book and it’s a must buy. Have these two done anything bad in the last 5 years? If they have I can’t think of it. I’m sold.
Thomm: I like the premise and the talent involved. Looks like a good something to check out.
Thomm: Image has some good stuff, though I’m admittedly primarily a buyer of the Kirkman work.
FATALE #1 story Ed Brubaker
art / cover Sean Phillips
colors Dave Stewart
32 PAGES / FC / $3.50
Guns! Sex! Secret Cults! And Monsters! A reporter in 2012 stumbles on a secret that leads him down the darkest path imaginable… to a seductive woman who’s been on the run since 1935, a mobster who may be an immortal demon monster, and the stories of all the doomed men who’ve been caught in their decades-long struggle. Fatale blends noir and horror to tell a riveting epic unlike anything you’ve seen before.
Lee: I’m to the point where I see Brubaker and Phillips name on a book and it’s a must buy. Have these two done anything bad in the last 5 years? If they have I can’t think of it. I’m sold.
Thomm: I like the premise and the talent involved. Looks like a good something to check out.
Tuesday, November 01, 2011
Dark Horse Previews for January
Lee: This is shaping up to be a budget busting month because DH has a ton of good stuff this month.
Thomm: Wait, you have a budget? Doesn’t the money flow like water at your house?
AFRIKA HCHermann (W/A)
FC, 64 pages, 8" x 11", $15.99
The masterpiece by Belgian comics creator Hermann is available in English for the first time! A misanthropic European expatriate, Dario Ferrer, acts as guardian of a Tanzanian wildlife preserve. Accompanied by Charlotte, a naive European journalist, Ferrer discovers a village under fire from mysterious agents of the foreign-backed government. Ferrer and Charlotte must fight not only to protect the preserve, but to expose government corruption—and survive to see another day. From award-winning creator and international bestseller Hermann! Gorgeous watercolor art and a fast-paced, violent story!
Lee: Hermann is one of the grandmasters of Euro comics so I am sold. He’s been writing/drawing forever and I am confident this will be good. Before you scoff, you might remember the Showtime television series, Jeremiah, adapted from Hermann’s comic of the same name.
Thomm: I never saw the show but read quite a few of the Jeremiah comics. Really good work. I’m curious as to what era this story is set, and the page count is a bit low for $16, but quite tempting.
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