Saturday, June 28, 2008

DC Preview Review for September


Jim: Well with the Chuck Dixon firing, seeing DC as only 27% to Marvel’s 43% for the Diamond numbers for May I’m starting to think Dan Didio’s tenure is looking less secure. The pluses in my mind have been Superman and Batman have had terrific creators and the books have been very good or better. The negatives have been failed launch after failed launch, plans that appears to change on the fly and Countdown. Let’s see what this month brings.

Gwen: OMG, where have I been? Why would DC fire Chuck Dixon?!? That's terrible =/

Lee: Yeah yeah DC. I read so few of these books on a monthly basis it’s getting harder and harder to review them. As always, I am the voice of reason for Lightning Grandpa (Jim) and Light Lass (Gwen).


DC UNIVERSE: DECISIONS #1-2
Written by Judd Winick & Bill Willingham
Pencil art by Rick Leonardi
Covers by Stephane Roux
Election season is upon us, and the stakes have never been higher! An unknown villain is attempting to assassinate the presidential candidates, and only the heroes of the DCU stand in the way. As Green Lantern, Green Arrow, Superman, Batman and more try to learn the killer's identity, they are faced with the difficult task of reconciling their own personal ideals with the mission at hand.
Brought to you by writers Judd Winick (GREEN ARROW/BLACK CANARY, TITANS) and Bill Willingham (FABLES, DAY OF VENGEANCE) and featuring sensational art by Rick Leonardi (ROBIN, SUPERGIRL)!
Issue #1 on sale September 10; issue #2 on sale September 24 o 1 and 2 of 4
32 pg, FC, $2.99 US


Jim: Look a new DC series that I will not be getting. I really do not like comics that preach to me and given how from my vantage point 90% of the people in this industry have the same opinion about things this book reeks before it hits the stands. Now if Batman supports Ron Paul I could be swayed – nah. BAD IDEA.


Gwen: Actually I find this whole idea amusing. Besides Jim, you like the old O'Neil GL/GA work - and that's some very preachy stuff. I really have no problem with a two issue mini series that is inspired by the election. Presidential elections are events like holidays - and they do holiday specials all the time.

Lee: Oooohhhh my head hurts. Elections are like holidays???? Youth is so wasted on the young. On one level I don’t care because I think it’s a silly idea but on the other it might be topical because of the election year. The question really is: if Batman listens to Rush Limbaugh, and Superman listens to NPR, what does Wonder Woman listen to? Oprah?

AMBUSH BUG YEAR NONE #3
Written by Keith Giffen & Robert Loren Fleming
Art by Keith Giffen & Al Milgrom
Cover by Amanda Conner
Darkseid makes a list and checks it twice! Plus, a shotgun wedding, alternate universes, more OMACs than you can shake a stick at and the very important return of Super-Turtle all wait for you in this all-new, all-ridiculous third issue.
On sale September 24 o 3 of 6 o 32 pg, FC, $2.99 US

Jim: I choose this because the cover made me laugh and the return of Super-Turtle. Brings a tear to my eye.

Gwen: I really have no interest in Ambush Bug, but Super-Turtle is pretty funny.
Lee: EXCELLENT. It the OMG morning after with Dumb Bunny!!!! Yes, that’s the girl on the covers name. This is such an awesome cover.

SECRET SIX #1
Written by Gail Simone
Art by Nicola Scott & Doug Hazlewood
Cover by Cliff Chiang
Because you demanded it! The Secret Six are back in an all-new ongoing series that promises to deliver some of the darkest, most twisted action-adventure the DC Universe has seen since...well, the last time the Secret Six got together! Writer extraordinaire Gail Simone (BIRDS OF PREY) is reunited with BIRDS penciller Nicola Scott to chronicle the adventures of the Six, and you will not believe what they have in store. Join Catman, Scandal, Deadshot, Ragdoll, and ?? as they prepare for an adventure that will take them through a gauntlet across the seediest parts of the DC Universe, and will ultimately pit them against a foe more monstrous and murderous than any they've had to face! Don't miss the beginning of the most ferocious and scandalous Six story yet!
On sale September 3 o 32 pg, FC, $2.99 US


Jim: Finally! And I was demanding this book, so good job DC.

Gwen: Yay! This should be a lot of fun.

Lee: I have to admit that I am really interested in this but I fear not having read either of the previous miniseries that I’ll be completely lost.

EL DIABLO #1
Written by Jai Nitz
Art and cover by Phil Hester
& Ande Parks
The haunted horseman returns to the DCU in a six-issue miniseries! Who is Chato Santana? A ruthless ganglord or a modern-day Robin Hood? Caught between the law and a power struggle in his gang, Chato meets Lazarus Lane, an impossibly old man with a possessed past. Witness this tale of rebirth, revenge, betrayal, justice, Hell, comeuppance, curses, and consequences. Written by Jai Nitz (BLUE BEETLE, THE BATMAN STRIKES!) with art by Phil Hester and Ande Parks (GREEN ARROW, NIGHTWING).
On sale September 3 o 1 of 6 o 32 pg, FC, $2.99 US

Jim: El Diablo being brought into the modern world, hmmm. It could work, it could be a big miss, but I’ll try out the first issue.

Gwen: This is... interesting. Worth a try at least.


Lee: Ugh. Why not just start with a new character and be done with this pretense already. It has marginal ties to the original concept replacing cowboys with gang bangers. Unfortunately, the costume looks dated already. Seriously, lighting bolts???? Who thought those were a good idea? It looks like Hester had a left over character design from the 90's and sold it to DC. I'm sorry but based on the cover this looks awful.

CAMELOT 3000 DELUXE EDITION HC
Written by Mike W. Barr
Art by Brian Bolland, Terry Austin, Bruce Patterson & Dick Giordano
Cover by Brian Bolland
The classic tale that exploded into comics shops in the early 1980s is collected for the first time in hardcover!
Featuring a new cover by acclaimed artist Brian Bolland, this deluxe, oversized volume collects the twelve-issue series in its entirety, along with bonus materials including never-before-seen preliminary artwork by Bolland and developmental material from writer Mike W. Barr!
Advance-solicited; on sale November 26 o 7.0625 x 10.75, 320 pg, FC, $34.99 US

Jim: This is the first comic that when it was coming out as a mini-series I believe took almost one year between issue #11 and #12. This was an okay story, but the Bolland artwork makes it an easy yes for me.

Gwen: I found the story to be *bleh*. However, it did inspire Matt Wagner to write a better Arthur-myth-comic (Mage) so thanks Camelot 3000!

Lee: As usual, I am all over this. One of the best visual stories ever and the story is good enough.

JACK KIRBY'S THE DEMON OMNIBUS HC
Written by Jack Kirby
Art and cover by Jack Kirby & Mike Royer
One of Jack "King" Kirby's most memorable creations returns in this title collecting the entire, original 16-issue series from the early 1970s! Part man, part elemental fury, Etrigan the Demon was bound to Jason Blood by Merlin to defend Camelot, only to become a demonologist in the modern-day DC Universe.
Advance-solicited; on sale November 19 o 384 pg, FC, $49.99 US

Jim: At this point I’m just a sucker for the Kirby DC stuff.

Gwen: I've never read the early Etrigan stuff so I'll have to peruse it once it's on Jim's shelf.

Lee: OOoooohhh, never read Kirby’s Demon. I hate to say this but don’t read Kirby. Just look at the pretty pictures because this is pure unedited Kirby dialogue.

SHOWCASE PRESENTS: WORLD'S FINEST VOL. 2 TP
Written by Jerry Coleman, Ed Herron, Dave Wood, Bill Finger and Edmond HamiltonCover by Curt Swan & George Klein
Art by Dick Sprang, Curt Swan, Jim Mooney and others
Superman, Batman and Robin team up once more in tales from WORLD'S FINEST COMICS #112-145! Among the foes the World's Finest team faces are The Composite Superman, The Joker, Lex Luthor, Bat-Mite and Mr. Mxyzptlk!
Advance-solicited; on October 15 o 520 pg, B&W, $16.99 US

Jim: This era is what I thought DC should have been printing as a hard cover collection a long time ago. Also not ever issue, but the best ones.

Gwen: Who can possibly resist the Composite Superman?

Lee: There were best ones? A big pass for me.

GREATEST HITS #1
Written by David Tischman
Art and Cover by Glenn Fabry
Variant cover by Ethan Van Sciver
Meet the Mates! They're the greatest super team of all time, straight out of England and into our hearts: Crusader, The Solicitor, Vizier and Zipper.
But who are the heroes behind the mania? How did they meet? And what's next for The Mates? You'll find out in this fab 6-issue miniseries written by David Tischman (BITE CLUB) with art by Glenn Fabry (NEVERWHERE, PREACHER and HELLBLAZER covers) that pulls back the curtain to reveal the men behind the masks.
GREATEST HITS looks at The Mates, from their humble 1960s beginnings, through the drug-fueled 1970s, and into the techno '80s, the grungy '90s, and to the present day. This is The Mates from the height of their glory to the depths of excess, as filmed by a struggling Hollywood director - one with his own dark ties to the team.
On sale September 17 o 1 of 6 o 32 pg, FC, $2.99 US o MATURE READERS

Jim: This just looks lame to me. It seems to be making the Beatles over into a super hero group or something. I’ll try issue #1, but I ready to drop this book like a hot potato.

Gwen: What kind of name is Zipper? This look fairly boring to me.

Lee: I find it interesting that you love The Twelve, Watchmen, and so much of the other deconstructionist superhero books but not this. I’ll wait for the reviews as I always do but I think this will be better than people think.

JOKER HC
Written by Brian Azzarello
Art by Lee Bermejo & Mick Gray
Cover by Lee Bermejo
In the all-new, hardcover original graphic novel JOKER, writer Brian Azzarello (100 BULLETS) and artist Lee Bermejo (HELLBLAZER covers) - the creative team behind the acclaimed miniseries LEX LUTHOR: MAN OF STEEL - show an even darker and more disturbing side to the most dangerous man in Gotham: The Joker.
After yet another stint in Arkham Asylum, The Joker finds "his city" divided among mobsters and costumed villains. Not content to settle for a piece of the pie, The Joker vows to take back the whole damn enchilada by any means necessary. Look for appearances by a slew of Gotham's most wanted, including gritty takes on Two-Face, Riddler, Killer Croc, Penguin, Harley Quinn and even Batman!
Not since THE KILLING JOKE have you seen such a powerful tale of The Joker - you won't want to miss this one!
Advance-solicited; on sale October 22 o 128 pg, FC, $19.99 US
Lee: Lee Bermejo certainly draws the most ruthless Joker I have seen in a long time. This is a scary cover in it's own right. I just wonder how much "darker and more disturbing" can they go with the Joker? Doesn't he already have a brutal origin? Hasn't he already killed millions? I'm not saying the character is used up but terms like "bigger and better than before" don't really excite me anymore.
Gwen: This should sell well with the new movie coming out. Still, the Killing Joke was enough for me - I don't need to go further into the realm of sadistic evil, thanks.
Jim: I'm getting this but I understand the concerns. Also Azzarello has not fared well when he ventures away from Vertigo.

WATCHMEN HC
Written by Alan Moore
Art and cover by Dave Gibbons
436 pg, FC, $39.99 US
WATCHMEN TP
334 pg, FC, $19.99 US o
WATCHMEN: THE ABSOLUTE EDITION HC - NEW PRINTING
8.25" x 12.5", 464 pg, FC, $75.00 US

Lee: OK. Let's do a personal count. I owned the trade and loved it. Sold it so I could buy the Absolute. Realized the Absolute was unreadable due to size and weight. Kept the Absolute because I paid so freakin' much for it. Started surfin ebay for an older edition hc but didn't want to pay top dollar for it because I had the Absolute. NOW, they have a brand new HC! Perfect. I shall own TWO copies of Watchmen now.
Gwen: There is nothing wrong with the Absolutes readability. I read my Absolute Sandman books (and snuggle them at night when I sleep). The only problem is loaning them out. Trades and smaller HCs are best for sharing comics with friends.
Jim: This is $40 and you own the Absolute Lee - you are nuts.

NEW GODS SERIES 2 ACTION FIGURES
Based on the art of Jack Kirby
Hot on the heels of the acclaimed JACK KIRBY'S FOURTH WORLD OMNIBUS hardcovers, Kirby's art style is interpreted in this second series of Fourth World action figures, which includes his unique vision of Superman!
Each figure features multiple points of articulation and a base. Four-color blister card packaging.

Jim: I love Kirby, but these figures look pretty bad.

Gwen: blah blah blah

Lee: I liked the first set and for the most part I like this set too. What can I say, the wood block look and fell appeal to me. BUT, that is positively the worst Superman I have ever seen. And remember it wasn’t Kirby’s fault! It was DC editorial that did that.

Jim: My love for DC has taken a few body blows lately and my enthusiasm for all things DC has abated a little bit. When I think of the best books on the market many of them are from other then the big two.

Gwen: I still enjoy DC, especially much more so than Marvel. Still, I'm upset about this Chuck Dixon thing. Boo!

Lee: Luckily I don’t love DC. We’re just friends and I hope to keep it that way. Maybe that’s why I KNOW that Secret Invasion is so better than Final Crisis. AND, btw, did anyone notice that Darkseid didn’t have a mouth on the cover of Final Crisis #4. You think someone would have noticed that.

Friday, June 27, 2008

A Fistful of Reviews

We can't all be a controversial as Lee, so I guess I just have to stick with my reviews. Anyway, I find myself getting fed up rather quickly with Marvel books at the moment but this was actually an okay week with one of my old favorites having a great issue...



X-Factor #32 (Marvel)


As much as the whole Arcade saga lost me a bit at some point, I thoroughly enjoyed this 'wrap up' issue. Mostly I liked the fact that the team felt like a team again. Also, Jamie finding out about his upcoming fatherhood was well done. This book is almost always the best done Marvel book on the shelf these days, and always the best mainstream one. Ghost Rider's the only one that really comes close as far as mainstream titles go (though the art is yechy).




Birds of Prey #119 (DC)


While this issue was decent it wasn't terribly exciting. Bedard is obviously digging in for the long term type of plot so I wasn't terribly bothered by an 'in between' issue. Recently Misfit's been the most intriguing BoP so I'm looking forward to seeing how her character progresses. By the way, I really dislike this cover. Black Canary looks odd somehow and the character outline inking was too pronounced.




Casey Blue #2 (Wildstorm)


As much as the first issue was awful I can appreciate the story being built up. This issue was more interesting and hopefully I'll like it more as it goes.



Superman/Batman #49 (DC)


The wrap up to the Kryptonite story arc. Batman certainly has a lot of Kryptonite in his vault, but it does make sense. Still, I am amused by the old Legion comics when Kryptonite was everywhere. I mean, the Emerald Empress just happened to have some on her when she met Superboy for the first time - in a lead lined pouch nonetheless! Oh yeah, this was a good issue - I just want to see if it actually impacts the rest of the DCU.




Trinity #4 (DC)


BORING! I know, I know, it's a weekly book that's only on it''s third issue - it's still boring, at least the first half. The back up story about the tarot card reader was cool though, I much more interested in her character. The art's gorgeous though.




Sparks #1 (Catastrophic)

I know Jim read this before and did interviews with the creators, but I hadn't been terribly intrigued until I actually got the first issue. Count me in on this story, I'm definitely looking forward to seeing where it goes!




Flash #241 (DC)


Excellent issue. Not only is there Gorilla Grodd, whom I never tire of, but this whole story has been fantastic. Wally's dilemma over what to do with Inertia, Keystone citizens being brainwashed, Iris aging and having known about her possibly shortened lifespan the whole time - all well done. I really want to read the next issue. I do hope some sort of cure is found for the twins as I really like them.




Grendel: Behold the Devil #8 (Dark Horse)

Great wrap up to this mini series. Grendel's destruction of both the reporter and his evidence demonstrated what a truly evil bastard he is. Bravo.




Teen Titans Year One #5 (DC)

This was terrible. I mean, first of all, wow is Speedy a total ass. Really. But Donna? I don't get her actions at all, nor do I understand the portrayals of any of the characters except maybe Kid Flash. Aqualad scares me.




Kill All Parents (Image)

While I get the spoof here, I'd expect to see this on someone's website, not as a book published and put on the shelf. I mean, I'm just not sure it's worth purchasing. It's not even all that funny.




Archaeology May/June '08


This is one of my favorite magazines. The articles are always well written and the layout is nicely done. Also I have learned that archaeologists love Indiana Jones, despite the fact that he is a terrible archaeologist! Which is fine with me, because Indiana Jones is awesome. The main article this issue was pretty cool. The whole crystal skull thing seems to be mostly a hoax. With modern technology it seems that most major crystal skulls on display have been the work of more modern technology - at least more modern than where they were supposedly from. In fact there seem to be no crystal skulls found on actual digs - all have come from antique shops (or the like) or anonymous donation. Now days many are displayed in museums as examples of artifact fraud. Not that this detracts from the Indy movie in any way ;)





National Geographic June '08


I only picked up this issue for the Stonehenge article. While it was factually interesting I didn't think it was terribly well written - fairly dry in fact. The snow leopard article was really cool though. I hadn't realized before how hard it was to even spot a snow leopard - all the photos were from camera traps. I also thought that there were some really excellent programs dealing with snow leopard protection - programs that benefited both the animals and the humans who were effected by their presence. It's good to see solutions to extinction that work out for everyone - or good to see it's possible anyway :)



As a side note, the word of the day was Cockaigne. It's always fun when I get words I'm unfamiliar with. Even blogger's spell check doesn't recognize it! Apparently it's a word that refers to an imaginary land of ease and luxury. I can see how the similar utopia is more commonly used.

Thursday, June 26, 2008

Geoff Johns, Comic Book Mass Murderer?

I came to a startling conclusion the other day. Geoff Johns is the comic book equivalent of Ted Bundy. Well, maybe that’s not true. Bundy was a serial killer who preyed on women. Johns isn’t that discriminating in his slaughter so maybe he’s more like Pol Pot or Stalin.

Do you think I am wrong? To prove my point, let’s take a look at John’s body count. I already talked about his picnic slaughter here. To clarify, it was a rant about the overwhelming amount of senseless violence in comic books these days but it was written by Geoff Johns. I forget what the final body count was but it involved killing lots of people.

Since I’ve already talked about his most recent work on JSA, let’s look at some of his earliest work. Johns had a celebrated run on the Flash that began in 2000 with issue 164. In that issue, Captain Cold freezes a police man and then shatters him. On the same page, different panel, Cold is shown kicking the policeman’s frozen head like a soccer ball. I should have realized something was wrong there but, honestly, I didn’t think of it. Maybe it was because the policeman had been turned into a big ball of ice. Maybe it was the lack of blood. Whatever it was, I didn’t realize that I was witnessing the beginnings of a body count that would make Stalin jealous.

But, Johns wasn’t done yet. Less than a year later in Flash 170-172, he managed to establish his bloody reputation. In issue 170, he kills the mother of a one year old child, and over the remainder of the issue and into 171, kills all the people that Wally West saved. My personal favorite scene is the two page spread of the morgue filled with dead bodies. But the coup de grace was in issue 172, in which a teenager is stabbed to death ON PANEL, and blood is seen running from his mouth.

What is going on when one of the industry’s best writers is a blood thirsty maniac? HELLO!? Does anyone see anything wrong with this?

Now I understand that violence has always been a part of comics. From the Spectre in the 70’s turning people to salt to D.G. Chichester blowing up the Staten Island Ferry and killing 33 people in 1993 (Daredevil #327). But, the Spectre is supernatural so there was no blood involved and Chichester didn’t show a single body he just stated a fact. But apparently that wasn’t enough violence because Johns has upped the ante to death on panel. And lots of blood to go with it on panel.

Now to be fair, let’s discuss some other current writers with big body counts like Ellis and Ennis. Both have managed to kill their fair share of people in comic books. But, in their defense, most of it was done in Max titles (Punisher) or in the Wildstorm Universe (Authority). In fact, their bloodiest work is over at Avatar. But, Max, Wildstrom, and Avatar titles aren’t the Flash. They aren't the JSA. They are adult books, aimed at adults, and marketed as such.

The Flash, unless I’m mistaken was still one of the biggest mainstream characters. Everyone knows who the Flash is because of his role in the all the cartoons from Super Friends to Justice League. If a new reader walked into a comic store I would expect them to be able to pick up any issue of the Flash and not be disgusted by the amount of gore in it. I'm not sure I would share anything Johns has written with anyone who wasn't already a Marvel Zombie or DC Dweeb.

While Ron Marz still holds the honor for most brutal killing with his “girlfriend in a fridge” story from Green Lantern, Johns has quietly managed to slaughter hundreds if not thousands of people in the DCU and I don’t think it’s a good thing. The "fanboy" covers on comic books are bad enough but adding blood and gore will only drive new readers away.

Wednesday, June 25, 2008

Ultimates #4 (of 5) - A Review

Ultimates #4 (of 5) - Writer Jeph Loeb, Art Joe Madureira, Digital Paints Christain Lichtner. Sniff, sniff, sniff, what is that smell. Oh it’s Ultimates 3 #4. Wow, what a load of crap. Jeph Loeb appears to have lost all of his ability to tell a coherent story as this story was all over the place and I no longer care about any of the mysteries that have been introduced. Joe Mad is suppose to be this stellar artist and I would be willing to bet the actual penciled pages are possibly stunning, but the crappy digital paints and production values have turned the work into a muddled pile of murky sh*t that only Man-Thing would be happy living in. This was worth the “whatever” number of months wait? I’ll get the last issue just to complain about it, but this is a rancid piece of meat that even a vulture would get sick picking at.

This is the same review you will see next Tuesday as part of Best to Worst of Last Week, but I thought I would share my views on this mastercraptacular a little early.

Dark Horse Preview Review for September

Jim: Wow it is already time for more solicitation reviews. Of course this is behind the scenes, but we are usually still just pulling together the Indies reviews when Dark Horse solicitations hit the web. So we have stuff in production often a fair amount of time before we publish so I never know what is coming in when anymore.
Lee: I don’t know how we got so behind but it does just seem like we were looking at reviews yesterday. Luckily no one keeps the publishing schedule they announce so it doesn’t matter when we read it, we’re just lucky to get it.

BUFFY THE VAMPIRE SLAYER #18
Joss Whedon (W), Karl Moline (P), Andy Owens (I), Michelle Madsen (C), Jo Chen (Cover), and Georges Jeanty (Cover)
A powerful enemy from Buffy’s past confronts the Slayer and Fray in the future, having allied with Fray’s greatest foe. Meanwhile, Dawn’s gone through another bizarre change.Joss Whedon and Karl Moline, co-creators of the hit comics series Fray: Future Slayer, reunite in Buffy Season Eight with the highly anticipated story arc “Time of Your Life.” Jo Chen and Georges Jeanty provide covers.
Lee: DUDE!!! Check it out nudie centaur chick. How cool is that???? I have to say, I never thought that DH would sink to Top Cow levels of cheesy but they have. Easily, the best “Embarrassed to be a Fanboy” cover in awhile.
Jim: Still it is Buffy and Buffy has been risqué on occasion. On the flip side, very un Dark Horsish.

THE COMPLETE GREEN LAMA: FEATURING THE ART OF MAC RABOY VOLUME 2
Written by various, art by Mac Raboy and various.
Dark Horse Archives completes the entire Green Lama series with this second high-quality hardcover of the Golden Age classic! The emerald-clad freedom fighter returns to mete out further justice courtesy of famed artist Mac Raboy and writer/editor Joseph Greene! In fact, the pair even makes an appearance in this volume, join us as millionaire playboy Jethro Dumont once again chants "Om Mani Padme Hum!" And, while this 1940s anthology series is best known for its eponymous Buddhist superhero, it featured an astonishing variety of short comics and prose pieces. Daring do-gooders the Boy Champions, Merlin-powered Lieutenant Hercules, flying ace Rick Masters, and the mischievous sprite Angus McErc together show off the creative experimentation that caught fire in the wake of Action Comics #1! 208 pages, $49.95, in stores on Nov. 19.
Jim: I really need to read at least a little of the first Archive of this material before I say yes to a second one. (No Image for the book was available so I just used a Green Lama collectible figure also by Dark Horse).
Lee: I’m surprised this is coming out as fast as it is. I agree, I need to see the first before I commit to the second. This is obscure material even by my standards.

CONAN THE CIMMERIAN #3
Timothy Truman (W), Tomás Giorello (P), Richard Corben (P), José Villarrubia (C), and Frank Cho (Cover)
A young Cimmerian huntress"a character seen in Conan Vol. 0: Born on the Battlefield"and Horsa"an Aesir leader from The Frost Giant’s Daughter"both cross paths with Conan as he continues his dangerous trek through the snowy mountain passes of Cimmeria. Fighting his way through the natural dangers of his barbaric homeland has been a welcome change from the mind games and treachery Conan found in the cities of the East, but there’s an unfortunate lesson in treachery in store for Conan here, too. In a Richard Corben flashback sequence, Connacht"Conan’s grandfather"seems to have found a role for himself working in a busy city, but as the old saying goes, “Fleas will find a dog . . . and trouble will find a Cimmerian.”
Lee: I don’t care that people try to mimic Frazetta painting but they need to try harder than this. Nat Jones was an excellent Frazetta clone. But this… this leaves me cold. Cho needs to stick to cheesecake.
Jim: I agree, Cho does the cheesecake exceptionally well, and this is better left for other artists.

THE GOON #28
Written and art by Eric Powell, colored by Dave Stewart.
The Zombie Priest becomes an unwilling agent of the Goon when things heat up in the Labrazio gang war. Could he hold the secret to Labrazio's power and Franky's missing sausage links?
32 pages, $2.99, in stores on Sept. 10.
Jim: Since the Goon has become almost a monthly book, it has also become more of a continuing story. The art is always beautiful to look at, but it is fascinating to see how Eric has allowed this series to morph from what it was to what it is.
Lee: Powell has done a remarkable job with this series. I am excited to see it every month and that says a lot.

REELART STUDIOS: PRINCE VALIANT STATUE
ReelArt Studios continues its line of comic-book and newspaper-strip characters with another classic character, Prince Valiant. Hal Foster's timeless hero from the days of King Arthur, as sculpted by Joy and Tom Studios, depicts Val in full battle gear charging atop his mighty steed through a marshy glade and seems to have been lifted straight from those early Sunday funnies. The prepainted statue comes packaged in a full-color box with a certificate of authenticity.
11 3/4 inches tall by 15 inches deep by 10 3/4 inches wide, limited to 500, $225, in stores on Sept. 24.
Jim: If I had a few extra bucks I would buy this statue. I loved this strip when it was done by Hal Foster.
Lee: Strip? As in the newspaper? By who? You are waaayyyy showing your age on this one. But since we’re on the subject, it’s very odd they haven’t issued a HC of the Hal Foster material. Very odd indeed.

SOLOMON KANE #1
Written by Scott Allie, penciled by Mario Guevara, colored by Dave Stewart, covers by John Cassaday and Joe Kubert.
Robert E. Howard's vengeance-obsessed puritan begins his supernatural adventures in the haunted Black Forest of Germany in this five-issue adaptation of Howard's "The Castle of the Devil." When Solomon Kane stumbles upon the body of a boy hanged from a rickety gallows, he goes after the man responsible--a baron feared by the peasants from miles around. Something far worse than the devilish baron or the terrible, intelligent wolf that prowls the woods lies hidden in the ruined monastery beneath the baron's castle, where a devil-worshipping priest died in chains centuries ago.
32 pages, $2.99, in stores on Sept. 24.
Jim: I knew Solomon Kane would show up eventually. Everyone who ever gets the Howard license eventually does Solomon Kane and yet it has never enthralled me that much. I will give this book a chance.
Lee: It can’t be any worse than Marvel Solomon Kane in the 80’s. Then again that had early Mignola art.

UMBRELLA ACADEMY UMBRELLA
In conjunction with the second series of The Umbrella Academy, conceived and written by Gerard Way (of My Chemical Romance) with interior art byGabriel BÃ¥, we bring you The Umbrella Academy umbrella!
It may be summer now, but in September, when this latest Umbrella Academy product arrives, we'll be unearthing our sweaters and shopping for the latest rain gear. We could not resist creating The Umbrella Academy umbrella. With the Umbrella icon on the four white exterior panels and the logo printed on the interior, this is a striking umbrella: impressive-looking, fun, and useful! Made by top-quality umbrella manufacturer Shed Rain. Shed Rain's umbrellas have a lifetime warranty!
$29.99, in stores on Sept. 24.
Jim: Well this was inevitable.
Lee: No it wasn’t. I wasn’t expecting this. In fact, now that I see it I wish they hadn’t. Not saying it’s the dumbest idea ever but its sure close.

WETA NARNIA PRINCE CASPIAN STATUES
The Warrior Satyr statue10.5" H x 13" W x 6.5" DLimited to 300 pieces$300.00
Lee: OH YEAH. Ninja goat statues! That is superty-duperty cool. I gotta get me one of these. Wait, it’s a satyr you say? Whatever, call it what you want but I know that it’s a ninja goat. Now all they need is a samurai chicken. Or maybe a cow with a big, bad battle ax. And not minotaur cow, I talking b&w Holstein cow with a big, bad, battle ax.
Jim: LOL. Yeah I’m laying out $300 for this thing!

Jim: Now I will say this is a very short list, but I have only picked five items an will then send it on to Lee and who knows how many I will get back.
Lee: I can’t believe you skipped the ninja goat. THAT IS SOOO COOL… this needs more exclamations…!!!!!!!!!!!!!!!!!! So I added a few. You picked the obvious, I picked the obviously silly.

Tuesday, June 24, 2008

Best to Worst of Last Week

One of the reasons I love comics is the wide range of material that is out there and that there are super-heroes. Sure the movies have gotten into the act, but only comics give us so many heroes and with a pencil they have an unlimited budget. That point brings me in a roundabout fashion to the fact that so many comics now show us with more then one pencil artists. I understand it is a way to make deadlines work, but does that also mean that the big two no longer has books done in what is known as the “Marvel” style? I always s liked the fact that Stan Lee gave a few plot points to his artists and they essentially crafted the story and then Stan would add dialogue. After awhile I believe it was more Stan would get the book from Ditko and Lee and just add words. All of this was done to keep things moving and it become a style, but was done to save time as full scripts take a lot longer to write. Has that style been abandoned by the big two so books can be split up between artists to keep production moving along? If do it is ironic that full scripts maybe the new way to move things along faster.

Catwoman #80 – Writer Will Pfeifer, Pencils David Lopez, Inks Alvaro Lopez, Colors Jeromy Cox. The fact that this book is being canceled is a crying shame. I know it sales have been stagnate at the 20,000 mark, but that is a successful book in today’s market. They better have been plans for Selina to cancel this book. Another reason DC is irritating me. This issue was a high water mark for a book that is always a great book. Selina catches up to the thief who had taken everything away from her and takes him apart. She tells him he only was successful because he caught her at a bad time in her life. She photographs him killing Repro, follows him to a job and then beats him within an inch of his life, breaks his fingers on one hand, blows up his apartment and have the police show up to arrest him as she gave them the photos of him killing Repro. A great issue showing Selina at the top of her game and showing the spunk, confidence and wit that makes Selina one of the best. The art by David and Alvaro Lopez is always so well done, with great camera angles and dramatic effects, emotions and the whole gambit. If Catwoman is canceled they should be on a high profile book as their art is great super hero work. It is so good and so consistent that I think they maybe under appreciated.

Sparks #1 (of 6) - Writer Christopher Folino, Art JM Ringuet. Okay you can see the review on the blog here. On second reading I like the book even more. Actually this is my third reading, but the first time actually reading the comic book itself, much better then a PDF file. First off the artwork, JM Ringuet is one hell of an artist. No he is not George Perez or John Cassady, but JM’s style for this noir book is perfect. His expressions are great, his dramatic shots and camera angles are blocked out to perfection. It is so full of detail that I imagine each page takes him a lot of time. Then to Chris’s story itself, it pays off to read this book more then once as the little subtle things he brings to it is just fantastic. From the time Sparks walks into the city Dr. Mantanza is a menace. As the story is starting with Sparks reporting his own murder you know Mantanza is behind everything happening to Sparks. This issue we get Spark’s origin, his growing up, and his meeting with the love of his love. The issue ends with Lady and Sparks facing Mantanza and apparently the bad guy knocks both of them out. What Chris does so well is pacing. The last book done this well was Left on Mission by Chip Mosher and Francesco Francavilla. Chris knows when we do not need a single caption or dialogue as we are at an exciting part of the book and the pictures are left to carry the story. That is where JM’s great abilities for expression and detail can carry all the information we need in each and every panel. I have read all the way to issue #4 and can tell you the book builds very well on itself. This is a wonderful beginning to an excellent series. Sparks takes the golden age and merges it with film noir to give us one hell of a thrill ride. Don’t miss it!

DC Wildstorm Dreamwar #3 (of 6) – Writer Keith Giffen, Art Lee Garbett and Tevor Scott, Colors Gabe Eltaeb & Randy Mayor. This book is so much fun. It has beautiful art and is just a fan fiction delight to see the DC heroes face off against the Wildstorm heroes. What is even better is Giffen has come up with a reasonable premise on why they are fighting each other. To add icing to the cake he has taken the JLA, LOSH and Teen Titans from different eras and used the classic versions of those characters. In the background Chimera who is dreaming and apparently controlling the DCU heroes is making this a battle to the death. The Batman / Zealot battle was so great and very cool that is has to be seen to be appreciated. Ultimately Zealot wins by killing Batman in very dramatic fashion. If you want an entertaining story and some great action fight scenes between two Universe heroes with stunning art, stop in and pick up Dreamwar.

Scalped #18 - Writer Jason Aaron, Art David Furno, Colors Giulaa Brusco. This series just blows me away. Jason Aaron has come of age on this book. When it first started it was a very good book, but has continued to grow over the 18 issues to where month in and month out this is one of the top ten series on the stands. How this book has sales numbers under 8,000 copies a month is a sin. I just keep thinking are there really 200 books a month better then this? The answer is absolutely not. This issue was a one and done about a back ground character Officer Falls Down. He has been basically existing since his wife was killed by a drunk driver, but a night with his grand mother and friends takes him on a spiritual journey that reconnects him with who he is. A powerful story and a great character study of one man. Jason Aaron has to be the fastest rising star writer in comics over the last year. Take the comics out of the comic shops and put them in trades at a newsstand and I bet Scalped would outsell 90% of the rest of the stuff on the stands.

Superman / Batman #49 – Writers Michael Green & Mike Johnson, Pencils Shane Davis, Ins Matt Banning, Colors Pete Pantazis. A good ending to the Kryptonite saga as we find Lexcorp is behind all the kryptonite weapons. Superman knows Lana is running Lexcorp and will shut it down, but she says it was the only way to keep Lexcorp profitable and keep all of her employees working. She tells Superman that if he tries to shut them down she will explode all the green “K” and poison’s Earth’s atmosphere and make Superman have to leave. He says she won’t do it and tells Batman to proceed with taking out her database and she hits the button. It was a little too comic book convenient to have Toyman (the super genius Hiro one) fix the problem with miniature mechanical self replicating spiders that eat the micro green “k”, but it was okay. We did find out that Lana is apparently under someone’s control, but Superman does not know that. We also see Superman give Batman the last piece of green “k” as a final precaution and find out Batman already had saved some. This has been the best arc on this book to date. Michael Green does not seem to really worry about continuity, but I don’t worry about this book being in or out of continuity. Shane Davis and Matt Banning are really at the top of their game and DC needs to be lining up a high profile project for them.

Grendel Behold the Devil #8 (of 8) - By Matt Wagner. This was a satisfying end to this Grendel saga, showing Grendel to be the evil bastard that he is. Matt had shown us a Grendel who was off his game due to this demon that was watching him, once resolved Hunter was everything you’d expect him to be. The reporter had gathered all his evidence and was now sure Hunter Rose and Grendel were one and the same and he had proof. Grendel shows up at his apartment kills him and torches his apartment, burning the evidence and 15 other people also die in the fire. What I did not quite get (and hopefully will on a second reading when the hard cover comes out) is why Stohler killed himself. One big thing that made this series shine is it showed up each and every month on time. A worthy addition to the Grendel saga and proof that sometime you can go home again.

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Justice League of America #22 - Writer Dwayne McDuffie, Art Ed Benes, Colors Pete Pantazis. Now this was an excellent issue of the JLA and it felt like the book has a little bit of a direction. The fact that I enjoyed a Red Tornado story is amazing in and of itself. Ed Benes has certainly become a top flight artist for DC and this issue he is inking himself, which gives the book a little darker look. The story is the JLA has built a new android body with the help of Dr. Magnus and the Chief from the Doom Patrol. As all the preparations are done and they are just about ready to transfer Reddy into the new body when John Henry Irons calls Batman and they find out his old body has self repaired. Amazo has hijacked the old body and takes out the group trying to give Reddy a new home and takes over the new body. A great return of Amazo who has become the JLA villain. Even with all of this going on we get plenty of characterization, movement on Vixen’s story and Red Arrow. DC just needs to leave this book alone and let McDuffie and Benes have fun with it. Any character in his own book can’t have any real change fostered on them here, but you have plenty of other characters to play with.

Brave and Bold #14 – Writer Mark Waid, Art Scott Kolins, Colors Rob Schwager. I always enjoy Deadman stories, especially when Nanda Parbat is in the mix. This issue we find Deadman is trying to stop Siva Anuttara, a death worshipper who has captured Rama Kushna, from basically taking over the world. He has used Rama’s powers to activate an army of ghosts who can take over people’s bodies like Deadman, except that it kills the hosts unlike Deadman. Deadman teams up with Green Arrow and they are unsuccessful in stopping Siva. Then Green Arrow shoots Deadman (they are in Nanda Parbat so Deadman is “alive”) and tosses his body off a cliff. All a feint I’m sure to buy time since Siva stopped GA from freeing Rama already. My guess Deadman’s body goes into the real world and he becomes a ghost again. Next issue Nightwing and Hawkman join in the fun. I was very sad to hear Waid was leaving the book soon, but I can’t imagine the hours he is working at BOOM. Scott Kolins is inking his own work and his style has certainly been changing over the years. It is always good to see an artist who continues to push themselves. Scott is a very good artist and occasionally can be a great artist. Funny how certain people appear to be more at home at one company or the other and Scott seems to fit better at DC.

War is Hell: The First Flight of the Phantom Eagle #4 (of 5) – Writer Garth Ennis, Art Howard Chaykin, Colors Brian Reber. This has been a really nice series to watch Karl Kaufman go from an almost bumbling boob of a pilot to apparently the second most seasoned and more grizzled veteran of the bunch. This issue we watch as he cringed taking two pilots with less then two days experience in the air to fight. Both lost their lives and his friend pointed out at least they took bullets that could have taken out more experienced pilots like themselves. In the background is the mystery of who he really is as there are references to his file never being found. Ultimately he has become a hell of a pilot and one of the leaders of the group and I’m curious as to how this will play out. Chaykin’s artwork, while highly stylized works very well for this book and I even forgive the fact that he only draws about five different people ever. Chaykin does a great job with the WWI planes. Ennis just seems to thrive on war stories and I think he does his best work on that genre.

Ghost Rider #24 – Writer Jason Aaron, Art Tan Eng Huat, Color Jose Villarrubia. Johnny Blaze continues his quest to have a showdown with the Angel Zadkiel. This issue Johnny shows up in prison to go after a Preacher who has had dealings with the Angel. The actual story was a little odd as Johnny shows up in a solitary confinement cell and gives the old penance stare to a bad guy to fry his soul and demands to see the warden. He tells the warden he wants to see the Preacher. The warden refuses and locks Johnny in the solitary confinement cell. Johnny goes half Ghost Rider kicks down the door and goes to find the Preacher. SO WHY DIDN’T HE JUST SHOW UP IN THE PREACHER’S CELL? Anyway the Preacher tells Johnny he is screwed and at the same time it appears Zadkiel has taken over a guard who has realized this really big bad a** guy called the Deacon. It seems like Zadkiel is just playing with Johnny, but Jason Aaron makes this stuff work and Ghost Rider is a cool tough anti-hero again. We have a new artist for this arc and Tan Huat who was competent, but not as dynamic and perfect for Ghost Rider as Roland was.

Anna Mercury #2 (of 5) – Writer Warren Ellis, Art Facundo Percio, Colors Paul Duffield. This series is structured very well. Issue #1 we jump headlong into an adventure and have no real clue what is happening, but the book moves and we are totally focused on Anna Mercury. It ends with a shock as we see Anna is working for what appears to be the British government. This issue we get the low down on what is happening. Essentially there are a group of parallel Earths and they are exploring them and have been for years. There are severe restrictions on crossing from one world to another and if not handled right it can be the death of an operative. Anna is the operative we are focused on and we are still sorting out exactly why she is doing what she is doing. This series should be a lot of fun and have some great sci-fi ideas thrown in for good measure. The art is also very strong and it is nice to see that the internet has brought as a lot of art from many different people, who I’m sure live all over the globe.
Hellblazer #245- Writer Jason Aaron, Art Sean Murphy, Colors Lee Loughridge. It amazes me how low the Vertigo single issue sales numbers are as they have some of the best series on the racks. This issue is a two-part story that is a fill-in, but is brought to us by writer Jason Aaron, which is a huge plus. Jason has three books this week with Hellblazer, Ghost Rider and Scalped and all are good books. Hellblazer is about a low end cable station doing a story on an old punk bands and John Constantine was a member of one such band. Of course something went horribly wrong and there is a bit of mystery as to what happened. The intrepid reporters while waiting for sunlight get stoned which causes the most disgusting sex scene I have ever seen depicted in a comic and other mayhem. Constantine is seen at the end buying a ticket back to Newcastle where these reporters are investigating what happened to his old band. A lot of set-up for next issue, yet a very good read and if you read this you have to get next issue. Guardians of the Galaxy #2 - Writer Dan Abnett & Andy Lanning, Pencils Paul Pelletier, Inks Rick Maygar, Colors Nathan Fairbairn. This series is starting off on the right foot. We get a second mission right away. The galaxy has another fissure that needs to be closed and the team teleports in and finds a frozen Vance Astrovik with Captain America’s shield. This is apparently the original Vance from the first Guardians series (not 100% sure). Anyway, they fix that fissure and get back and another emergency arises and the team leaves again only to find out the Universal Church of Truth has set a trap for them. I’m amazed how well this series has been set-up and how well all the players have been defined. You really get the feeling that the writers really thought this book through before launching it.

Flash #241 – Writer Tom Peyer, Art Freddie Williams II, Colors Tonya and Richard Horie. This was a very good issue of the Flash and I hope Tom Peyer is signed up for this book long term, but recent solicitations indicate that may not be the case. Note to DC rotating writers on a book that needs a long term plan is a bad idea. This issue Grodd has Jay, Wally and Spin captives and is using his mental control to force them to do his bidding. The ominous words Grodd says while speaking to Jay seems to be setting up a story down the road. The heroes escape with the help of the newly aged Iris who now has super speed powers. The Flash museum is under attack and on fire and the Flashes go to save the day there. We also got some great character moments as Wally saves Inertia from the fire and then we see Iris on the last panel now apparently a young woman. The rapid aging of Wally and Linda’s children has kicked back in for Iris and what that means for her is the danger that her entire life could be done in a few months.
Birds of Prey #119- Writer Chuck Dixon, Pencils Nicola Scott, Inks Doug Hazelwood, Colors Hi-Fi. A decent issue and getting us back into the new status quo. Tony Bedard is taking what Sean McKeever left him with and running with it. The Birds have moved to California and are investigating a group of mysterious bad guys who seem to have quite a hold on some very powerful business people. Babs has Manhunter watching Black Canary for unknown reasons. Also we find out Babs has been getting information from the Calculator. Tony seems to have a good handle on these characters and this series looks to be in good hands.

Tangent Superman’s Reign #4 (of 12) – Writer Dan Jurgens, Pencils Jamal Igle, Inks Robin Riggs, Colors Dom Regan. This series is one you have to be invested in because after the first two issues I think it is impossibly dense with needed information to be able to join in. Still this is a 12 issue maxi-series that I have signed up for and I’m enjoying. This issue we find out the good guys did not save the real Atom and the Tangent Superman still has him. Batman, Hal Jordan, Black Canary and Black Lighting make it over to the Tangent world. The fake Atom was the Tangent Power Girl and the crap just hit the fan. The back-up History Lesson by Writer Ron Marz, Pencils Fernando Pasarin, Inks Matt Banning, Colors Dom Regan continues to really help bring us up to speed with how the Tangent Universe ended up under their Superman’s thumb.

Wolverine #66 – Writer Mark Millar, Pencils Steve McNiven, Inks Dexter Vines, Colors Morry Hollowell. First off I will blame (credit?) Troy Brownfield from Newsarama’s Best Shots column to dragging me into this story. I had planned to skip it, but Troy gave it a decent review and I read it before hitting the comic book store and the damn thing jump into my pile of books and made it home. First off Steven McNiven’s art looks great as always and his more heavy realistic style that he has been using works very well with this book. It is a “What If” story more then anything else. If you look at the story that way it is a decent set-up to the story. Strip it of that and apply any logic to it and the story falls down even inside of its own logic. We see an aged Logan whose healing factor is no longer all that, who lives in a USA that has been divided up by the bad guys who won the war years ago. Logan will no longer fight and has a family now, with his son being named Scott, which I found amusing. Logan is past due on the rent and the Banner grand children (hulk like people) beat him up and tell him double next month or his family will be killed. A blind Hawkeye shows up with a delivery job and offers Logan big $$ to help out and they take off across country in the old spider-mobile. As an elseworld type story a writer is free to make up anything and just use whatever he wants and we are suppose to accept it. Within that context and with the great art I can handle this book and enjoy it on some level. I will give it another issue, but I want more explanation of how things got to where they are before I can really “buy in” to the story. The biggest plus to this book is McNiven and this maybe his best super hero work ever.

Gemini #2 (of 5) – Writer Jay Faerber, Art Jon Sommariva, Colors FCO Plascencia. What a fun book. The art has an exaggerated and slightly cartoon like feel to it, but is well done and fits the mood of this book perfectly. Gemini was shot in the face but has regenerative abilities, so he wakes up with no mask and no contacts that his controllers need to track him. Gemini is a hero, who does not know he is a hero. The controllers in a panic have to get another hero who is controlled to go and try and give Gemini a deactivation code. Of course this causes quite a melee, but ultimately Gemini is sent back home and all appears to be back in control. A knock on Gemini’s door of his civilian identity has both Gemini (as a civilian) and the controllers wondering who is showing up. It is Gemini’s ex-controller who recently quit the company. It is a fun concept that some nebulous company has created super heroes and the people who are the heroes have no idea they are heroes. The mini-series seems to be about one such hero breaking free from not knowing what his life is really all about. Jay has another winning book and I’m looking forward to the rest of this series.

Streets of Glory #5 (of 6) – Writer Garth Ennis, Art Mike Wolfer, Color Greg Waller. This was a relatively quite issue as our “hero” Joe Dunn is settling back into this small town and renewing his relationship with his ex-wife. The entire issue is well done and full of characterization as we see Joe’s friend have a stroke and become an invalid, Joe and his ex-wife renew their good and bad feelings and Joe beat the crap out of a man who threatens his daughter. The background is the wealthy man who is looking to change the town. I get the feeling the end story is Joe versus this man who is going to foster change on this town, whether they want it or not. What they seems to represent are two different eras in time, Joe is the old west and the rich guy is progress coming to the west. Ultimately you can’t stop change from coming.


Fallen Angel #27 – Writer Peter David, Art JK Woodward. Things have not let up in this series at all. Angel, Black Mariah and Jude have lost the war of Bete Noire. Angel is content to just live out life and not worry about anything. Mariah has noticed how the headlines depict the world has become a nasty and worse place as Bete Noire is the city that controls the world. Jude needs to help the city and take it back and he is going to the hidden city of life for help as apparently he now knows how to find it. On the way there in a plane being flown by Mariah, a winged Demon attacks them. Angel gets rid of him, but not before the plane is crashed. It is going to be a long trip getting to the city of life. David seems to have a solid direction for this book and it is the best it has ever been. JK Woodward’s moody art style is now the signature look of Fallen Angel and it works very well for this series.

Gotham Underground #9 (of 9) – Writer Frank Tiera, Pencils Jim Califore, Inks Jack Purcell, Colors Brian Reber. Now this was a week late for my store, but timing was not critical on this series. I enjoyed this series a lot. It was nice to see the Bat family all work together for a change and I liked how the Penguin was going to go down fighting against Intergang. The little summation in the end by Jim Gordon was perfect way of spelling out the new status quo in the Gotham Underworld. The only problem is that I do not think any one will care about the new status quo as Batman RIP is what all the bat books are about right now. That does not diminish the fact that this was a good series and enjoyable it just makes me question why it was suppose to actually impact anything when it appears we may not see that impact ever reflected in the Bat books. Salvation Run was a series that never purports to have an impact, just a story about all the villains being on one world. DC feels really mismanaged right now.

Kill All Parents #1 – Writer Mark Andrew Smith, Art Marcelo Di Chiara, Colors Russ Lowery. What a terrific one shot story. The simple premise is that most heroes are born due to the tragic circumstance that shaped their lives, which usually involves parents dying. A scientist who has a machine to see into the future tells him the only way to save the world is to create these heroes. In order to create heroes the computer tells him to kill their parents. From shooting a couple in the alley, to killing parents on a far away planet he creates the heroes the world needs to survive. It is hilarious and at the same time you feel for these heroes when they find out the truth. The doctor then tells them if they had not become heroes most of them would have almost worthless existences. A great read and some terrific art.

Iron Man #30 –Writer Stuart Moore, Pencils Robert de la Torre, Calo Pagulayan & Steve Kurth, Inks Robert de la Torre, Jeffrey Huet & Andrew Hennessy, Colors Dean White. This is a funny book for me; in that the story did not stay with me from issue to issue, but upon reading the first page or so the entire story came back. Shield is trying to quell a high tech terrorist who happened to be an old research buddy of Tony Stark. At the same time a rogue Shield agent has stolen the overkill horn and has been merged with it to create to Overkill Mind. So we have two menaces that are now converging on Shield and Iron Man at the same time. This is a rock solid entertaining adventure of Iron Man and I’m constantly surprised that I like it so much that I hang in on this book.

Trinity #3 - Front Story Writer Kurt Busiek, Pencils Mark Bagley, Inks Art Thibert, Colors Pete Pantazis, Back Story Writers Kurt Busiek & Fabian Nicieza, Layouts Mike Norton, Finishes Jerry Ordway, Colors Allen Passalaqua. This was another decent issue, The story for the front part of the book, the JLA shows up to help John Stewart against Konvikt (the big purple alien who beat GL last issue) and Konvikt basically beats the crap out of them. The JLA is reeling and the big three show up and we cut to Morgana talking about how they all defer to them. Now I get that Busiek wanted us to understand that even within the JLA these guys are the big guns, but this was overplayed. The JLA has never been shown as a group that is babysat by the Trinity. What was nice was how Konvikt laid out Superman with one punch. This comic has a long way to go, but this issue read like a decent super hero adventure and nothing quite so special to make me want to invest for 49 more issues. Still Busiek is a very good writer so I will cut him some slack. Bagley’s work looks good and he is certainly being given a chance to draw a lot of the DCU early on. The back-up focused on a tarot card reader who is obviously starting to exhibit an ability to really foretell the future with her cards and how she ties into this has yet to be revealed. Overall we are three issues into Trinity and it is a decent book, but has it is not really drawing me in with any element that makes me need to have this book on my list and that should be what a weekly does. The one big plus is this project is off on its own and is not dragging the rest of the DCU into it.

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Cthulhu Tales #3 - Writers Willima Messner-Loebs, Michael Alan Nelson, Todd Lepre, paired with artists Andrew Ritchie, Eduardo Ferigatoo and Chee respectively. Three eight page stories using the Lovecraft horror ideas as the focal point. Each story was well done and enjoyable, but the Messner-Loebs story was a real trip. It was like every character was a worshipper of Cthulhu. I think the Cthulhu stuff has a nice eerie feel to it. I just wonder how long an anthology will last in today’s market.

Casey Blue Beyond Tomorrow #2 (of 6) – Writer B. Clay Moore, Pencils Carlo Barberi, Inks Jacob Eguren, Colors Carrie Strachan with Darlene Royer. The mystery of whom or what Casey Blue deepens, but we get no real answers. An FBI and Casey seemed to have a mental connection and Casey is drawn to him. He tells her that you know you can’t succeed and then she kills him. Casey is more aware of what happen this time, but still has no level of control. Then a dart hits her in the neck and she starts to pass out she sees it is her brother’s neighbor. The art work is great, as I always enjoy the clean and fluid line work of Carlo Barberi. Moore is certainly lying out tons of mysteries, but in a six part mini-series I want a few more answers and by next issue.

Checkmate #27 – Writer Bruce Jones, Pencils Manuel Garcia, Inks Travis Lanham, Colors Santiago Arcas. Oh joy, oh joy I get to have Bruce Jones give me the Al Gore pitch in this comic. I know it was a set-up for the big ass monster that Chimera will have to go up against, but it was just such tripe and a use of Native Americans which has been overplayed in comics. Chimera is certainly a powerful creature. He has physic abilities, healing factor, incredibly strong, can read a person’s fear and morph into it and is apparently a little mentally unstable. I’m close to dropping this book as it really feels like it is all about Chimera and Checkmate is a supporting player in their own book. Manuel Garcia’s work is very strong in this and I swear I see Neal Adams and Joe Kubert influences in his work.

X-Factor #32 – Writer Peter David, Pencils Valentine De Landro, Inks Drew Hennessy with Craig Yeung, Colors Jeromy Cox with Chris Sotomayor. This book has gone from one of my favorites to a book that is in the middle of the pact and is losing my interest. I blame the Messiah Complex with throwing this book off its rhythm. This issue Val Cooper from O*N*E tells X-Factor they have to split up or become part of the Initiative. They escape for a few months and then Val finds them and states the old line from Casablanca about the beginning of a beautiful friendship, which in a bizarre coincidence is also used in Gotham Underground. What happened to Jamie discovering he is not a mutant and then losing Layla took the heart out of this series. I’m giving it two more issues and then it gets cut if it doesn’t go back on an upswing.
Batman and the Outsiders #8 – Writer Chuck Dixon, Pencils Julian Lopez, Inks Bit, Colors Marta Martinez. We are eight issues into this book and it really feels like it has gone nowhere. I’m not clear what mission they have been trying to accomplish, we have different people showing up to help out almost every issue and Metamorpho is still floating around in outer space. This book is a microcosm of what is wrong with DC. They first cancel the last Outsiders to set up a new team with a writer/artist and they don’t get along. Then the second writer gets things going and for some reason any work done on that gets scraped. Chuck Dixon comes on and has a team and is immediately told he has to give up two team members. Now struggling to get this book going, Chuck has been trying to get a rhythm going and has now left (been fired from ?) DC. This book soon ties-in to RIP and then who the heck knows where it goes from there. Hiccups, making a mistake occasionally I can understand, but BATO has been a clutter cluck since day one and the only people to blame are management.

Teen Titans Year One #5 (of 6) - Writer Amy Wolfram, Pencils Karl Kerschl, Inks Serge Lapointe, Colors John Rauch. Wow if this series had more then one issue left I would drop it like a hot potato. Even the whimsical art and amusement I get from the odd portrayal of Aqualad can’t save this anymore. It read like an after school special or some piece of work from the Disney channel, that perhaps would appeal to some 12 year old somewhere. For me this was a waste of time. Speedy goes out with Wonder Girl, gets the Arrow Car wrecked and then tells Wonder Girl to go away because he was embarrassed that she had to save him.

This week it was a toss-up between Catwoman and Sparks as to who was number one, so I'm calling it a tie. That wraps up another week and then next week will be skewed due to the shipping problems, I’ll be curious to see how things shake out for my rankings on that week.