Monday, February 23, 2009

SPARKS #1 A PAGE A DAY - THE COVER

With the permission of Chris Folino we are going to present the entire first issue of Sparks one page at a time.


Everyday at 6PM (US Eastern Standard Time) a new page will be posted. The Tag will be Sparks #1 so you can easily collected them all down the road.

Now go and buy the motion comics application
http://catastrophiccomics.com/catastrophic_comics_sparks_iphone.html


What I’m Getting Wednesday

In the recent Dark Horse and Image solicitations I have not seen quite the amount of new and interesting offerings that I have felt to be the norm from these two groups. Maybe it is just my perception but I’m wondering if the beginning of the 2nd Great Depression is not forcing companies to cut back here and there and the new and unknown is always more of a gamble. My hope is this is just a slow period while the new and exciting projects are still in development.

On other entertainment fronts I just this week watched “The Wire” Season 1 and “yo” I’m now totally hooked on that show. For the 2 people who do not know it is a cop drama set in Baltimore, Maryland (my hometown) and it shows a realistic portrayal of one part of the city and the drug trafficking. What makes the show so compelling is the fact that all the characters have depth and levels of complexity to them. All of the bad guys are not 100% bad and all of the good guys are not 100% good. In fact, often you are not sure if there are any good or bad guys. Now if my friend can loan Seasons 2-5 to me, I can watch the entire series. I love getting into good shows after they are over as it is uninterrupted bliss watching episodes back to back to back.

The books I’m looking forward to most this week are:

Battlefields Dear Billy #2 (of 3) - It should almost be a law that Ennis is forced to write war story comics, at least one a month. The only gripe I have is that Dynamite has released this as three separate series and I’m waiting for the hard cover of all them (as Battlefields is planned as nine issues of 3 separate mini-series) and they appear to be collecting them per story. The word “by Garth Ennis & Peter Snjeberg More incredible stories from Garth Ennis as his 'BATTLEFIELDS' series continues exclusively from DYNAMITE ENTERTAINMENT! For this second mini-series - DEAR BILLY - Garth is joined by artist Peter Snjeberg and cover artist John Cassaday for a haunting tale of wartime in 1942 As the fortunes of war turn in the Allies' favour, Carrie begins a tentative love affair with Billy Wedgewood- whose fighter-bomber squadron is in the thick of the action against the Japanese. But Carrie's own war has taken a strange and terrible turn, and the secrets that she keeps will set her on a path that can only have one end...”

Eerie Archives Volume 1 – The Creepy Archives have been great and now we have the companion series being collected. In about five years I will cut my weekly books down to bare bones and just sit back and read these babies. This volume contains “Slithering upon the heels of Dark Horse's archive collections of the seminal horror comics magazine Creepy comes its terror-filled cousin publication Eerie! Collected for fans for the first time ever, and packaged in the same amazing oversized format as our Creepy Archives, Dark Horse Comics has taken great, gruesome care in presenting this groundbreaking material to readers who have been waiting decades to get their claws on it. Eerie magazine, like its killer kin Creepy, features work from many of the masters of comics storytelling. For fans of spectacular spookiness, mind-bending sci-fi, and astonishing artwork, the Eerie Archives library is a must have. Includes the work of Gray Morrow, Frank Frazetta, Alex Toth, Neal Adams, Joe Orlando, and others!”

Gigantic #3 (of 5) – Remender has some of the best ideas and concepts in comics right now. From the apparently neglected Fear Agent to the new Punisher series from Marvel. His material reads fresh and exciting. The core concept that Earth was created for an alien reality TV show just seems so true. What’s inside “Invisible alien film crews record your every moment for the entertainment of fat, anesthetized aliens throughout the universe. Gigantic, our would-be savior, fights to liberate us from this secretive voyeurism, but at what price? In order to restore order to their hit show “Planet Earth,” the Universal Broadcast Network has sent Gigantic’s archnemesis, the Iconoclast, to stop him by any means necessary, leading to a world-shattering battle through time and space.”

Green Lantern #38 – It is so great to read a series when you know a writer is having a seminal moment with a character. Johns’ run on this book is one such moment and the build-up to “The Blackest Night” is a great story. The hype “Written by Geoff Johns; Art by Ivan Reis and Oclair Albert; Cover by Shane Davis and John Dell. A "Faces of Evil"issue! The War of Light ignites as the first bizarre battle with the Red Lanterns comes to a blood-fueled conclusion. But what unexpected fate has befallen Atrocitus, the leader of the Red Lanterns, and what new Green Lantern law is unveiled?”

Madame Xanadu #8 – The superlatives for the story and art are getting harder and harder to find for this book. One thing I can say that this is my second favorite series from Vertigo at the moment (Scalped is still #1) and one of the best series on the stands. The company line “Written by Matt Wagner; Art and Cover by Amy Reeder Hadley and Richard Friend. Madame Xanadu is desperate to stop the brutal Jack the Ripper slayings and save the destitute women of Whitechapel. But it looks like the Phantom Stranger has other plans, and he's been harboring them all along! Betrayal and love collide in the latest dynamic issue from comics legend Matt Wagner and skyrocketing art talent Amy Reeder Hadley.”

Mouse Guard Winter #1152 #5 (of 6) – Arachia Studios Presss financial woes has caused innumerable delays in this book. I love Petersen’s work a lot and hope this gets collected as a hard cover one day. The word “by David Petersen Blood is spilled on the snowy floor of the Mouse Territories as the battle between Celanawe, Lieam, and the one-eyed owl rages on. Tired, frozen, and with little hope of getting medicine to Lockhaven, their only goal now is survival. Deep beneath the surface in the abandoned Darkheather, Saxon rejoins his companions Sadie and Kenzie as they may have discovered a way home. The winter mission that lead the Guard's finest away from Lockhaven is nearing an end, and one that they will not all live to see.”

Starman Omnibus Volume 2 – Volume 1 was a quality package and contained some great background material by James Robinson. One of the best super hero series done. This volume contains “Written by James Robinson; Art by Tony Harris, John Watkiss, Guy Davis, J.H. Williams III, Chris Sprouse, Craig Hamilton, and others Cover by Tony Harris. In this second volume, Jack Knight's disturbing dreams drive him to New York City to meet the Golden Age Sandman! Collecting STARMAN #17-29, STARMAN ANNUAL #1 and stories from SHOWCASE '95 #12 and SHOWCASE '96 #4-5.”

Umbrella Academy Dallas #4 (of 6) – I enjoyed the first series and all of that good stuff, but the second series has been even better. You have to love this book as it is comic book madness at its best. What’s in this issue “Number Five and The Rumor have accepted a terrible mission, and after enduring torture and a brush with nuclear Armageddon, the rest of the surviving Umbrella Academy have to put aside their infighting to try to find their brother and sister, racing through history to do so. The Eisner and Harvey Award-winning series kicks into high gear as Gerard Way and Gabriel Bá head into taboo territory in the surreal political thriller Dallas."

Wonder Woman #29 – Gail has me hooked on this book now and I can’t wait to see what the heck is with the lasso. Gail has now officially (IMO) made Wonder Woman a book that should be read by all super hero comic fans. The company line “Written by Gail Simone; Art by Aaron Lopresti and Matt Ryan; Cover by Aaron Lopresti. "Rise of The Olympian" part 4! Featuring an "Origins and Omens" backup story! The Olympians have risen to begin their all-out assault on war across the globe! One particular attack could spell the end of the Department of Metahuman Affairs, and Wonder Woman's life is changed forever in the aftermath of Genocide's savage beating...and that's just the stuff we can tell you! Don't miss this crucial arc in Wonder Woman's history!”


The rest of the list:

Astounding Wolf-Man #13 - story ROBERT KIRKMAN art & cover JASON HOWARD Now, at long last we get the secret origin of Gary Hampton. Where did he come from? How did he rise to become one of the richest men in the world? If you think you know everything about the man who became the Astounding Wolf-Man, think again.

Batman Gotham After Midnight #10 (of 12) - Written by Steve Niles; Art and Cover by Kelley Jones. Death strikes close to home for The Dark Knight as an important person in Bruce Wayne's life dies at the hands of the Midnight Killer. But what's Catwoman's involvement? Will her heart belong to the murderous Midnight – both literally and figuratively – or can Batman stop this St. Valentine's Day massacre before it's too late?
Blue Beetle #36 FINAL ISSUE - Written by Matthew Sturges; Art by Carlo Barberi; Cover by Rafael Albuquerque. Say goodbye to the bravest Teen Titan of them all as Blue Beetle takes on a whole space army all on his lonesome in a tale so epic it could only be called the "Valentine's Day Dance Massacre"!

Captain America #47 - Written by ED BRUBAKER Pencils & Cover by STEVE EPTING The New Captain America in the hands of the enemy in China! His secret past as the Winter Soldier in danger of coming to light! And what are his old Invaders teammate the Sub-Mariner and the Black Widow doing while Bucky Barnes faces his darkest past?

Conan The Cimmerian #8 - A new story arc! Conan leaves his trials and regrets behind in Cimmeria and heads into the next phase of his adventurous life -- his mercenary career. Timothy Truman adapts Robert E. Howard's powerful "Black Colossus" short story and sets Conan off on what will be his bloodiest battle yet, when the mercenaries of Amalric clash with the demonic hordes of Natohk! Conan, once a wandering thief, tries his luck as a professional soldier, joining Amalric's forces and facing condescending jabs from the noblemen in his company, who mistakenly think that the Cimmerian is an unskilled simpleton. Tomás Giorello takes on full penciling duties once again, and Joseph Michael Linsner (Dawn, Dark Ivory) returns as cover artist for this exciting arc!

Criminal Macabre Cell Block 666 #3 (of 4) - What's life like behind bars for a guy framed for the death of the D.A.'s wife? Ask Cal McDonald. He's a guy who knows a thing or two about misery from first-hand experience, but miserable doesn't begin to describe what's ahead for the disgraced private dick whose only friend on the planet is a dead guy. Now Cal's in lockup at the darkest time of his life with no connection to the outside world except through the random contact he makes with other prisoner. Luckily for Cal, it turns out his reputation proceeds him . . . and the reputation of an ex-cop-gone-wrong who runs with ghouls might be just the thing to keep him alive against all odds.

Dynamo 5 #20 - story JAY FAERBER art & cover MAHMUD A. ASRAR & RON RILEY It's Valentine's Day, but the members of Dynamo 5 don't have time to deal with their own love lives. Instead, they have to stop a feuding super-villain couple from destroying Tower City!

Echo #10by Terry Moore Julie and Dillon travel to the frozen wilderness of Alaska to find a HeNRI facility that is manufacturing the atomic alloy stuck to Julie. But, they are not alone. Somebody else wants the powerful metal Julie is wearing... and the only way to get it is to kill her!

Fear Agent #26 I against I (PT 5 of 6) - Heath Huston, a mysterious otherworldly stranger, comes to the rescue of a frontier town that is somehow a step out of time. The peaceful, small mining community is under threat of annihilation when a ruthless land baron arrives with his posse of hired guns to take control of the territory. After the struggle for a peaceable resolution, and the gunfighting . . . it all ends in a down-in-the-mud, cheap-and-bloody fistfight to the death.

Gravel #9 - Combat Magician William Gravel is back in this second story arc of his ongoing series! SAS Sergeant Major and combat magician William Gravel can be a cold and efficient killing machine, but it's usually just a job - very few things make him kill in anger. But one of those things is being cheated, and the Major Seven, the kings and queens of magic in England, have cheated him. He thought they wanted him to join them because he had impressed them. Now he knows he was brought in to solve a mystery - one of them died at the hands of another member of the group, and he's to find out who. Someone's going to get a kicking. The fact that they're all far more dangerous than him doesn't seem to bother him!

Jack of Fables #31 FUNNIEST COVER OF THE WEEK - Written by Matthew Sturges and Bill Willingham; Art by Tony Akins and Jose Marzan Jr. ; Cover by Brian Bolland. Part 4 of "Jack's Big Book of War." You know how they talk about the "power of the printed word"? What they don't want to tell you is that this power is more than just how a bunch of ideas can convince people to do stuff. It's about how ideas can make things explode. So hold on to your hats, gang, these printed words are so powerful they're going to knock your socks right off your toes!

Justice Society of America #24 - Written by Geoff Johns and Jerry Ordway; Art by Jerry Ordway; Cover by Alex Ross. Black Adam and Isis" part 2 and featuring an "Origins and Omens" backup! The Justice Society faces off against a fully powered Black Adam and his wife, Isis, for control of the Rock of Eternity. But when Mary Marvel enters the fray, will she side with the Justice Society or join the Black Marvel family?

Marvel Masterworks The Mighty Thor Volume 112 - Written by STAN LEE Penciled by JACK KIRBY Cover by JACK KIRBY It's time to take another trip up the Rainbow Bridge to fair Asgard with the greatest team comics has ever known, Stan "The Man" and Jack "King" Kirby! Their Thor epics are the peak of cosmic action and mythic adventure, and these ten adventures will show you yet again just why. It all begins as the Mighty Thor takes a journey across time into an apocalyptic atomic future where man is now mutate, but there's no rest upon his return because then it's the god vs. god when Thor does battles with Pluto, Lord of the Underworld! And battles aren't the only thing you can bet on. Queen Karnilla pines for the noble Balder the Brave, while the amazing being known as "Him" (and known to Marvelites as Adam Warlock) takes the Lady Sif to be his perfect mate! Methinks that date may end in fisticuffs. Then it's a battle through Loki to find, and learn the amazing origin of, the one-and-only Galactus! It's a cosmic revelation as can only be brought to you by the King of Comics! But that ain't all! There's a knuckle-smashing showdown with the Thermal Man, the return of the Wrecker and a heart-wrenching astral adventure featuring Thor's former ladylove, Jane Foster. Collecting THOR #163-172.

Mighty Avengers #22 - Avengers Assemble! Scarlet Witch! Hank Pym! Hercules! The Vision! Stature! Hulk! Jocasta! U.S. Agent! Iron Man! On the last patch of Earth, they're the only heroes left standing. And the enemy they must defeat...was once one of their own. It's Avenger versus Avenger! And at stake is nothing less than the fabric of reality itself! Join Dan Slott and Khoi Pham for the next part in this all-new chapter of Marvel's Mightiest Superhero Team!

Mister X Condemned #3 (of 4) - In this latest chapter, return to the Ninth Academy, sanitarium for mad scientists-the place that nurtured the minds behind Somnopolis's nightmarish design. Years later, the demolition of the insanity-causing architecture has been temporarily halted after the deaths of an entire sect of architects -- either a tragedy or a conspiracy. In the middle of it all, the enigmatic Mister X continues his frantic quest to find the missing city plans, so he can save Somnopolis while there's still some of it left!

Ms. Marvel #36 - A Marvel Dark Reign issue! Norman Osborn has handed the world's most dangerous genetic weapon to a madman, and it is up to Carol Danvers to retrieve it. But Carol is keeping secrets from everyone--secrets that could spell the end of Ms. Marvel as we know her.

New Avengers #50 - Celebrate this very special milestone issue as the new roster of New Avengers deal with the shocking news of the existence of the Dark Avengers the only way they can... by taking them head on. But what is waiting for them is the stuff the DARK REIGN is made of.

No Hero #4 (of 7) - by Warren Ellis & Juan Jose Ryp Warren Ellis and Juan Jose Ryp, the team behind the fan-favorite Black Summer, are revolutionizing masked heroes yet again in the hottest new series of the summer! Josh Carver is now a member of The Front Line, the only group of superhumans in the world. He's given up everything to get here, and he thinks he's paid the full price of admission. But now, he must be inducted into the most closely-held secrets in the world - the true history of The Front Line, and the things the group have done under cover of darkness. He's being pulled in deeper than he'd imagined, and with every new answer he's being forced to re-examine how much he can really trust his new teammates. But more importantly - can the team really trust him? This fatal fourth issue ratchets up the tension

Nova #22Join the Nova Corps…or suffer the consequences! Worldmind begins the mass transformation of human recruits to fill the ranks of his new Nova Corps--and brands anyone who stands against him a criminal! Richard Rider is powerless to stop the process...but he’s going to try anyway, even if it means fighting alone! New characters, razor-sharp plot twists, jaw-dropping cliffhangers…

Proof #17 - story ALEX GRECIAN art & cover RILEY ROSSMO 'BORDERLANDS' The Chupacabra's journey from Mexico to Minnesota is finally revealed in a special stand-alone story. Plus, Colonel Dachshund receives a gift from an unexpected visitor.

Reign in Hell #8 (of 8) - Written by Keith Giffen; Art by Tom Derenick and Bill Sienkiewicz; Cover by Justiniano. The bloody denouement arrives as the heir to the throne of Hell is chosen! Will Blue Devil regain his soul? Will there be a Hell left once Lobo's had his way? Will Dr. Occult convince his lost love to come home? Find the answers here!

Scourge of Gods #2 (of 3) - Written by VALRIE MANGIN. Pencils & Cover by ALEKSA GAJI Adaptation by PAUL BENJAMIN. The sci-fi heroic-fantasy hybrid continues! The starships of King Attila and his Huns threaten the Roman Galactic Empire known as the Orbis. As both the daughter of Roman ruler Flavius Aetius, and also the reincarnation of the Hun goddess Kerka, young Flavia Aetia is caught between the two forces. Will she remain true to her lover, Attila? Or will she serve the Orbis despite her father having condemned her to death as a traitor? When the two galactic super powers meet in battle at the ruins of the war-torn planet Sirmium, a young girl will have to decide who she is and where her true loyalties lie.

Sgt. Rock: The Lost Battalion #4 (of 6) - Written by Billy Tucci ; Art and Cover by Billy Tucci. Holding out against all odds for four days without food and water, the trapped Easy Company has suffered countless wounds and fatalities. But as Sgt. Rock leads a desperate patrol to find sustenance, angels arrive in the forms of Johnny Cloud and the Haunted Tank. But unbeknownst to all, the Nazis have laid a trap for the Lost Battalion by springing 7,000 Reich soldiers against the would-be rescuers.
Superman #685 -Written by James Robinson; Art by Renato Guedes and Wilson Magalháes; Cover by Alex Ross. An "Origins and Omens" issue! Continued from ACTION COMICS #874! With "New Krypton" behind him (for now), Superman must come to terms with the death of Pa Kent. And things heat up in Metropolis when the mysterious new Nightwing and Flamebird take up residence in the Man of Steel's hometown! Are they here to help Earth like they say – or do their ties to Kandor run too deep? This story sets up next month's new status quo as Superman makes a tough decision, the repercussions of which will be felt for years!

Sword #15 - story JOSHUA LUNA art & cover JONATHAN LUNA Dara will stop at nothing to get the sword back.

Teen Titans #68 - Written by Sean McKeever; Art and Cover by Eddy Barrows and Ruy Jose. Kid Eternity is back in this issue featuring an "Origins and Omens" backup tale! But is he here to stay? In part 3 of "The New Teen Titans," learn how the Kid's struggle with the Lords of Chaos and Order has progressed, why his abilities are on the fritz and how his arrival creates major problems for his teammates!

Thunderbolts #129 - A Marvel Dark Reign issue! The Green Goblin vs. the President of the United States! It's terror at 10,000 feet when Spider-Man's fearsome foe hurls pumpkin bombs at a special target: the new President! Just what is Norman Osborn up to...and who in the world are the new Thunderbolts? A Dark Reign is falling...be there as the new team of Andy Diggle and Roberto De La Torre present "Hammer Down" Part II!

Trinity #39 - Written by Kurt Busiek and Fabian Nicieza; Art by Mark Bagley and Art Thibert, Scott McDaniel and Andy Owens, Tom Derenick and Wayne Faucher and Mike Norton and Ande Parks; Covers by Andy Kubert and Jesse Delperdang. The war to save all of reality rages on and is waged in the memory of Superman, Batman and Wonder Woman. But the legendary Trinity battle to end the conflict themselves by becoming more than just a memory!

Ultimate Spider-Man #131 - Ultimatum tie-in! The hits just KEEP ON COMING! Just when our waterlogged webslinger thought things couldn’t get any worse, Spidey finds himself face-to-face with none other than the Hulk! PLUS Spider-Woman, Daredevil, and Doctor Strange amidst the destruction... and not everyone lives to see the next issue…!

Unknown Soldier #5 - Written by Joshua Dysart; Art by Alberto Ponticelli; Cover by Igor Kordey. As memories of the past begin to invade, Moses confronts the deeper truth of the soldier lurking within him. But what do those memories have to do with another unknown soldier?

Wildcats #8 - Written by Christos Gage and Russell Utley; Art by Pete Woods and Ben Oliver; Cover by Neil Googe. Artist Pete Woods returns for a story years in the making – a day in the life of Maxine Manchester! Maxine finds that she's able to make a very unique difference in post-apocalyptic Los Angeles.


This is a big week for me with three hard covers all hitting the same time. I go a few weeks with no hard covers and then inevitably they all hit the same time. Starman is on time, Marvel Masterworks is one week late and Eerie is early. It should be a good week for comics.

Sunday, February 22, 2009

When People Attack

All righty. It's off to the mind of Grant Morrison. True, I haven't read everything, or even a lot, of what Morrison has written, but of what I have, Animal Man seems to reflect Morrison himself more than any other. Morrison says as much in the 26th issue of the series, his final issue.


Now, off the top, I have to admit, I came on to this series late. I started with January 1989's issue 7, missed the next two, and then was fully on board with issue 10. I never hunted down the missing 8 issues, either. Truth be told, I finally picked up the trade collecting the first 9 issues just this week. Morrison writes the intro to this collection, and maybe it reveals a little too much.


The series was originally intended as a 4 issue mini-series, so Morrison didn't intend to do any more than re-introduce the character, post Crisis on Infinite Earths, and then leave it to someone else to write any further adventures. Those first four issues do an admirable job in that re-introduction. Animal Man is established as a husband and father, with a 9 year old son and 5 year old daughter. He goes from apolitical and rather apathetic seeker of adulation and celebrity earnings to animal rights activist and vegetarian. True, scientists are charicatured as torturing animals for the sake of a sort of "let's have fun and see what happens" attitude that's not justified by real life science, but Morrison at least acknowledges a conflicting point of view. He artifically poo-poos any countervailing arguments away, but he at least recognizes them.

Issues 5-26 are hailed as seminal works for their philosophical examinations and pursuit of animal rights activism, but I find this part of the run to be nearly pointless and self indulgent. While Buddy Baker (Animal Man, in case you didn't know), has some interesting adventures, obtains some new powers, and becomes a bit more logical in the source of his powers, I think the entire thing runs off the rails into superficiality masquerading as depth when Baker escapes the pages of his comic (within the pages of the comic, of course) and confronts Morrison, his by then departing writer. From the depiction of Morrison as a pale, Morpheus-esque personage to the shilling for PETA, the entire thing just feels forced.


I don't know which came first, the depiction of Neil Gaiman's Sandman or the drawing of Morrison. By order of publication, it's clearly Morpheus first. Perhaps the depiction of Morrison as resembling Morpheus is homage, in the sense that copying the personification of dream is stating again the role of the writer in shaping the comics character. Whatever the intent, it didn't work for me. Instead of Buddy Baker learning about himself, and me as the reader learning about him, I wind up with a story that tells me what I already know: characters are shaped and directed however the writer wishes. No kidding. Gee, thanks. I've never read a book or comic before. Such elucidation.


Really, breaking down the 4th wall? Advocating for animal rights? These are the lasting legacies of this run of Animal Man. What did the former get us? Nada. Hereinafter, Animal Man is just as much the unaware comics character as any other, with the exception of a slight nod to it in 52, which, of course, Morrison helped write. So, what purpose did it serve? It showed Morrison could bring himself into the story and expound on the relationship of the writer to the character. That's what forwards are for. It's not a story unto itelf. Every part of the Morrison run that I read felt like the story was being diverted every time a character addressed the fact that people were reading the comic or the artist was changing a character's appearance or the writer was making their lives a stage, to paraphrase Shakespeare.


There were good stories told, too. The entire element of characters that had been wiped out by Crisis on Infinite Earths coming back via the Psycho Pirate, who remembered the pre-Crisis worlds due to being at the center of the whole thing, was great. Those stories could have been told without the self-referential to the writer.


Animal Man as animal rights crusader? Ok, that fit in with the character. But, on the whole, it was rather one sided. Only twice that I can think of does the animal rights point of view take a hit. Once, when Baker is on a TV show opposite an advocate for animal testing, and Baker's "defeat" there is portrayed as a lack of savvy more than a loss on substance. Another time when some Animal Liberation sorts burn a lab after freeing the animals, which causes injuries to firefighters. That one's just a small stab at extremism rather than at the underpinnings of the animal rights philosophy. In fact, there's evidently nothing wrong with burning a research institution, as long as there's no risk of anyone getting hurt. How about the more remote harm of depriving people of the benefits of the research? Computer models aren't going to cut it and going direct to human trials is a sure way to kill off a lot of people.


Where's the counter arguments against vegetarianism? Nary a one that I saw in 26 issues. No acknowledgement that humans are omnivores. No consideration of the retardation of the species that would have occurred had our progenitors not been meat eaters. Only once did Baker/Morrison address the illogic of the idea that animals are equal to humans. Naturally, it was swept aside.


And here's the conundrum of the animal rights philosophy. On the one hand animals are equal to humans. In fact, all animals are equal in existential worth to one another. On the other hand, many of those animals, not just humans, eat their fellows. To explain away this second element, the philosophy holds that humans are different because we can recognize that we are co-equal with the other animals, hence we should not eat, shear, ride, or otherwise in any way use our co-equals. But, if we're different because we can recognize this, then we're not co-equal with the other animals. We are, in at least that respect, superior to the other animals.


Which is not to say that there aren't valid points to be found in the animal rights movement. No one should harm animals for their own amusement. Torture is torture, be the subject human or animal. Humans do have a tendency to over use resources, and with our population numbers being what they are, we could push too far to sustain ourselves, though that seems less a concern of animal rights than the abstract worth of the animals in and of themselves.



But animal rights misses another important thing, much akin to the prior conundrum. Every animal species pushes to the maximum of its abilities to dominate its environment. The only difference between humans and other animals in that regard is that we've been much more successful at dominating our environment. So much so that we may endanger ourselves, but no more or less morally superior than any other animal. Animal rights adheres to something of a moral superiority of other animals than humans because none of them have wiped us out, or pushed us to the verge of extinction. But some species have caused the extinction of other species. Extinction has occurred for as long as there's been life. That's evolution/natural selection.


The idea that humans are somehow removed from natural selection is a core element of animal rights, and much of environmentalism. The discussion usually revolves around a debate between what's "natural" and what's "human caused". It's a distincton without a difference. We're natural. We didn't just show up here one day and take over like some invasive species. Well, we didn't unless you believe in one of the vast number of religions that says we just poofed into existence from some deity's machinations. As an atheist, I don't.


Ah, enough of that digression. This was a good series in many ways. It made Animal Man into a character worth reading. It inspired a lot of debate. It told some good, if transient stories. It's certainly been worthwhile to me to read it again (or read it anew as far as the first 9 issues go). Funny enough, I think my favorite was issue 7, featuring the story of the Red Mask, a dying, broken down super villian with a death touch. It stood alone nicely, though it was part of the larger whole.


If you don't have any of these issues and want to read them, they're collected in three trades, so they should be easy to come by. Despite the less than satisfactory end, it'll challenge your thinking to some degree. Hell, at the very least you can see a lot of the ideas Morrison had floating around that would one day end up in 52.

Saturday, February 21, 2009

Indies Preview Review for April Part 2 of 3

Welcome to Part 2 on the monthly Indies Preview Review

Boom! Studios
Potters Field HC by (W) Mark Waid (A) Paul Azaceta
Legendary comic writer Mark Waid teams up with new superstar artist Paul Azaceta (Daredevil, B.P.R.D.)! Outside New York City is Potter's Field, where the unnamed dead are buried. Now, a mysterious man has taken it upon himself to name the unnamed in this cemetery! Using a network of underground operatives who don't know each other, he fights to save the unsaved and solve the mysteries of the unjustly slain! Special Over-Sized Edition collecting the critically acclaimed three issue mini-series and the Stone Cold one-shot into one volume, for fans of the "new crime comics" movement like Criminal! Introduction by Greg Rucka! $24.99
Lee: This was a great little series and I am surprised to see it get the hc treatment. Don’t get me wrong, I’m glad that it is because it’s well worth it. But, at the same time, $25 for four issues is kinda pricey.
Jim: I loved this work also, but four issues for $25 is a little steep. I want to see the format on this before I say yea or nay.

Drawn & Quarterly
32 Stories Complete Optic Nerve Special Definitive Ed. Box Set by (W/A) Adrian Tomine
Adrian Tomine's first book, 32 Stories, collects his inaugural mini-comics in a special, redesigned edition. This one-time printing includes facsimile reprints of the seven mini-comics packaged in a slipcase, as well as an additional pamphlet containing a new introduction and notes by Tomine. Between the ages of seventeen and twenty, Adrian Tomine self-published a series of "mini-comics": small, hand-assembled booklets that he wrote, drew, and distributed himself. Entitled Optic Nerve, these comics were comprised of short vignettes and stories which displayed a youthful energy, an unabashed sense of experimentation, and the first hints of the distinctive, realist style that Tomine would go on to perfect. This special edition of 32 Stories presents those rare, early mini-comics for the first time in archival facsimile form: all seven issues in their entirety, faithfully reproduced and collected in one box. $19.95
Lee: If you are a fan of Tomine’s work then this is not to be missed. I’ve never quite “gotten” his stuff so I’ll miss it. But, if I were a fan I would really want it.
Jim: I never even heard of this creator I'm sorry to say and with so many other "wants" that I have I will let this slide.

A Drifting Life SC by (W/A) Yoshihiro Tatsumi
Over four decades ago, Yoshihiro Tatsumi expanded the horizons of comics storytelling by using the visual language of manga to tell gritty, literary stories about the private lives of everyday people. He has been called "the grandfather of Japanese alternative comics" and has influenced generations of cartoonists around the world. Now the visionary creator of The Push Man and Good-Bye has turned his incisive, unflinching gaze upon himself. Over ten years in the making, A Drifting Life is Tatsumi's most ambitious, personal, and heart-felt work: an autobiographical bildungsroman in comics form, a massive 840 page book edited and designed by Adrian Tomine. Using his life-long obsession with comics as a framework, Tatsumi weaves a complex story that encompasses family dynamics, Japanese culture and history, first love, the intricacies of the manga industry, and most importantly, what it means to be an artist. Alternately humorous, enlightening, and haunting, this is the masterful summation of a fascinating life and an historic career. $29.95
Good Bye HC by (W/A) Yoshihiro Tatsumi
Good-Bye is the third in a series of collected short stories from Drawn & Quarterly by the legendary Japanese cartoonist Yoshihiro Tatsumi. Drawn in 1971 and 1972, these stories expand the prolific artist's vocabulary for characters contextualized by themes of depravity and disorientation in twentieth-century Japan. A philanthropic foot fetishist, a rash-ridden retiree, and a lonely public onanist are but a few of the characters etching out darkly nuanced lives in the midst of isolated despair and fleeting pleasure. $19.95 A nine page preview can be seen here
Lee: I am such a comic historian nerd that I am actually interested in these books. Don’t get me wrong, when I first saw this, I wasn’t interested in the least. Seriously, early Manga? Not to mention Manga Comix. You have to be kidding me! Then I read the description again… and thought about it. And, darnit if it doesn’t sound interesting now! There’s something about seeing the seedy, underside of another culture that appeals to me. Especially, when that culture is Japan which I know so little about. Against my better judgment I will probably end up getting one of these books.
Jim: This does sound like fascinating material. It's funny because the Optic Nerve material before did not strike the right chord, but this material does.


Fantagraphics Books
Late Bloomer HC by (W/A) Carol Tyler
The biggest, richest and most delightful collection of Tyler's work to date. In "Migrant Mother," Tyler tells the grueling story of a cross-country trip with the flu and her terrible-twos toddler using her trademark combination of rueful humor and empathy. The full-color "Just A Bad Seed" is a meditation on a problem child who might not be such a problem after all, while "The Return of Mrs. Kite" chronicles a family crisis - how her widowed grandmother fell in with a beau of questionable character. "Gone" (also in full color) is a stirring meditation on all kinds of loss, and "Why I"m A-gin" Southern Men" is a classic rant that dissects that particular breed of male - or at least a certain subspecies of "ex"es - with pitiless wit. Other stories include "Sweet Miss Lee" (a reminiscence of an immigrant roommate and her fate), "There's Something Wrong with a Perfect Lawn" (a tale of suburban obsessiveness), "Little Crosshatch Mind" (where artistic impulses come from), and "Uncovered Property" (discovering the power of sexuality at an early age). Tyler works equally well in delicately crisp black-and-white penstrokes and lushly watercolored paintings (this book features over 30 pages of her stunning full-color work). All told, the three-dozen stories here cement Tyler's reputation as a cartoonist to be reckoned with. $28.95 Visit Carol at her official website here
Lee: If you’re looking for slice of life greatness then this looks like the book for you. I’ve been on a tear with SoL books lately so I’m in. Actually, there’s more goodness from Tyler below so I might actually have to choose but I don’t think I can go wrong with either choice.
Jim: I appreciate Lee's enthusiasm but do not share his love. Where Lee see slice of life, I see almost boring.


Youll Never Know Vol. 01: A Good and Decent Man HC by (W/A) Carol Tyler
THE ACCLAIMED GRAPHIC NOVELIST DELVES DEEPLY INTO HER FATHER's WWII EXPERIENCES. You"ll Never Know is the first graphic novel from C. Tyler (Late Bloomer) and sure to be one of the most acclaimed books of the year. It tells the story of the 50-something author's relationship with her World War II veteran father, and how his war experience shaped her childhood and affected her relationships in adulthood. "You"ll Never Know" refers not only to the title of her parents" courtship song from that era, but also to the many challenges the author encountered in uncovering the difficult and painful truths about her Dad's service - challenges exacerbated by her own tumultuous family life. You"ll Never Know is Tyler's first first full-fledged graphic novel (after two volumes of short stories). Unlike many other graphic memoirs which have opted for simple, stylized drawings and limited color or black and white, You"ll Never Know makes full use of Tyler's virtuosity as a cartoonist: stunningly rendered in detailed inks and subtle watercolors, it plunges the reader headlong into the diverse locales: her father's wartime experiences and courtship, her own childhood and adolescence, and contemporary life. The unique landscape format, and the lush variety of design choices and rendering techniques, make perusing You"ll Never Know like reading a family album - but one with a strong, compelling, sharply told story. You"ll Never Know's release schedule and format emulate those of Chris Ware's hugely successful Acme Novelty Library: three beautifully designed, large-format hardcover volumes released annually to complete a trilogy of astonishing breadth, depth, and sensitivity. $24.99
Lee: I was going to combine this with the other selection from Tyler but this was different enough to warrant its own comment. First, is the story. With so many soldiers returning from Iraq in such a damaged state, I imagine this will resonate with those families. Second, the format sounds outstanding! I like the use of a variety of styles and large format. This just sounds like a really good package.
Jim: Damn it sounds like I should like it, but no again not for me.

Portable Grindhouse: Lost Art of VHS Box Vol. 01 SC
Harken back to those thrilling days of yesteryear when the advent of rental videos astonished the movie-going consumer who could only feed his addiction by going to the theatre or watching chopped up movies in bewteen commercials on TV. Like vinyl, here is the revenge of another analog cast-off: the VHS is once again insinuating itself into American culture, and this book celebrates the anarchic design art of those early VHS boxes.The Lost Art of the VHS (Vol. 1) reprints some of the most louche, decadent, minimo-pervo artwork to ever grace a VHS box, featuring such movies as From Beyond, Penitentiary II, Beast of the Yellow Night, Cop Killers, Bay of Blood, Escape from Death Row, and Cocaine Wars. A feast for exploitation cognoscenti, The Lost Art of the VHS is a portable grindhouse. Readers will be agog at the plethora of supertrash movie titles, and then move on to rediscover the anarchic box designs. Throughout, editor and cultural historian Jacques Boyreau succinctly narrates the household-piercing story of VHS: "On par with the jukebox, disco, and neon, VHS reformatted the world's product-intake and boosted a libertarian aesthetic that conquered TV in the same way TV conquered comic books in the 1950s, and allowed us to hold movies in our hands. Posters in the lobby could advertise, even fetishize a movie; credit sequences could identify the participants, but somehow, VHS box-art "became" the iconic equivalent of the movie."The Lost Art of VHS is published in a VHS "format," slyly packaged inside a facsimile VHS box, and contains almost a hundred reproductions of VHS art with commentary. $19.99
Lee: I’m not sure I’m going to get this but it sounds really interesting. I’ve read interviews with Dean Motter who lemanted the advent CD because it killed the album cover. Album covers used to actually be pieces of commercial art and now the covers are so small you can’t do much with them. But, I remember going to the video store and see all the trash cover on the boxes they’re talking about. Watched many a bad movie because it had cool cover art. As I said, I’m interested but I’m not sure I’m going to spend the money.
Jim: Oh I'm sure. I'm sure not going to buy this crap. I know some of this stuff maybe interesting, but come on this was all throw away art design for a small format. There is not a single VHS tape cover that I can even recall making an impression on me.
Lee: It doesn't appeal because you're not an art guy. These covers were excellent showcases for up and coming artists. Some made it and some didn't. But, if you're interested in commercial art then this is a good venue.

Prince Valiant Vol. 01: 1937-1938 HC
HAROLD FOSTER's LEGENDARY MEDIEVAL EPIC, FINALLY IN ITS DEFINITIVE EDITION. Universally acclaimed as the most stunningly gorgeous adventure comic strip of all time, Prince Valiant ran for 35 years under the virtuoso pen of its creator, Hal Foster. (Such was its popularity that today, decades after Foster's death, it continues to run under different hands.) The giant Sunday-funnies pages (Valiant ran only on Sundays) gave Foster a huge canvas upon which he was able to limn epic swordfights, stunning scenes of pomp and pageantry, and some of the most beautiful human beings - male and female - ever to appear in comics. And he matched his nonpareil visual sense with the narrative instincts of a born storyteller, propelling his daring young hero from one crisis to another with barely a panel to catch one's breath. Prince Valiant has previously been widely available only in re-colored, somewhat degraded editions (now out of print and fetching collectors" prices). Thanks to advances in production technology and newly available original proof sheets, this new series from the industry leader in quality strip classics is the first to feature superb restored artwork that captures every delicate line and chromatic nuance of Foster's original masterpiece. Comic strip aficionados will be ecstatic, and younger readers who enjoy a classic adventure yarn will be bowled over. Book One will be rounded out with a rare, in-depth classic Foster interview previously available only in a long out-of-print issue of The Comics Journal. $29.99
Lee: It’s Prince Valiant. Wheee! I picked this because I know Jim is a huge PV fan. Me, not so much. I like old strips but this never clicked for me. I’ll be sure to look at Jim’s copy when I visit him.
Jim: This is one of the easiest buys for me in a long time. My father's passion for this strip is what led me to get involved in it. This strip has so many positives, Hal Foster's beautiful art, a great story and a character that ages. WELL WORTH THE MONEY.

Henry Holt
Joey Fly, Private Eye: Creepy Crawly Crime GN by (W) Aaron Reynolds (A) Neil Numberman
Have you ever had one of those moments? You know – you’re trying to find a stolen diamond pencil box for your beautiful butterfly customer, your mosquito witness won't give you any information, and your clumsy scorpion assistant has just tampered with your only bit of evidence? Joey Fly has those moments a lot. In fact, he's probably having one right now. But that won't stop him from solving the mystery in Creepy Crawly Crime, his fantastic first graphic novel! It's crime in the insect world, in this debut graphic novel for ages 8 and up. $9.95 Visit the artist and see some of his other comic work here.
Lee: I picked this because my kids are young and I'm always looking for material that will interest them. This looks great and the art seems to fit the silly tone perfectly.
Jim: This is a book I would check out if I had younger children. I like the sense of whimsy the cover indicates.

Hermes Press
Ross Andru and Mike Esposito's Up Your Nose SC by (W/A) Ross Andru, Mike Esposito
Another classic satire magazine in the vein of MAD and Cracked in the 1960s and early 1970s, Hermes Press" complete Up Your Nose reprints the magazine's 2 hilarious, laugh-filled issues in glorious black-and-white, with additional artwork and documentary material with a fascinating interview with co-creator Mike Esposito. Features "Thelma of the Apes," "The Ace of Spades," and "Count Varicose." Digitally remastered to look better than the original. $19.99
Lee: Is it me or is every satiric comic from 1950-70? First there was Trump, then Humbug, and now this. Granted, this is supposed to be very good but, as previously stated, satire doesn’t always age well. If nothing else, this is supposed to be some of Andru’s & Esposito’s best art.
Jim: I think once MAD starting selling everyone joined in. This type of material only goes so far and for me this is a pass. To be extra mean Andru & Esposito's best art may still not cut the mustard.

Oni Press Inc.
Big Book of Barry Ween Boy Genius SC by (W/A) Judd Winick
Meet Barry Ween, the smartest living human. What does a ten-year-old boy do with a 350 I.Q.? Anything he wants. Cranky, egotistical, arrogant and foul-mouthed, Barry in general wants to conduct his experiments and be left alone, but it never seems to work out. Hurdles that Barry must outmaneuver range from time warps, to art thieves, to inter-dimensional warfare with gorillas, to accidentally turning his best friend into a dinosaur. This massive volume collects all 12 issues. $19.95
Lee: Wheee fun! It’s the return of Barry Ween! And I couldn’t care less. I know that lots of people found this fun and exciting but I always thought it was juvenile humor at its worst. I never understood the appeal. Since Ween was published, Winick hasn’t written anything all that exciting so this is an easy pass for me.
Jim: I have like bits and pieces of Winick's work. He had a nice run on Green Arrow and Green Arrow / Black Canary, but otherwise I'm not a huge fan of his work. I don't hate his work, just his name on a project adds nothing to it at this time.

OKAY PART 3 is Coming Up Next Week - so check back daily!