Wednesday, June 23, 2010

The Killer ModusVivendi #3 (of 6) – A Review


The Killer Modus Vivendi #3 (of 6)
Publisher Archaia

Writer Matz
Illustrator Luc Jacamon

Format 27 Pages or Story and Art

Price $3.95

It seems impossible but this book just gets better and better. The first series was fantastic and is one of the books I will try and push on anyone. When someone reads it, they are impressed. This storyline just stepped it up a notch as this issue gets very, very political talking about the general human condition and all the crap that goes down with wars and how countries portray certain situations.

The Killer is in Cuba and as he approaching an official of the government he starts to think about the world and various wars they have occurred over the years.
He starts in with talking about how the US has painted Cuba, goes into testing drugs on African children by American drug companies, the French pulling out of Rwanda and allowing the Hutus to massacre the Tutsis, the genocide in Darfur, the Turks slaughter or Armenians, the slaughter of Protestants in France in 1572, the UN voting to lift the Cuban embargo by 184 -8 vote, but the eight votes won, how Castro’s Cuba has more so many doctors, reduced illiteracy and more. Much of this issue is interwoven with the assassin’s jaded view of what Western Civilizations like to call democracy.

Now I’m not so naïve as to buy off on all that is being said and I understand there are two viewpoints to everything, but just the USA’s own behavior in the last few years is nothing to write home about. Our invasion of Iraq and Afghanistan is nothing short of criminal and our attacks by drones into Pakistan is pretty much universally agreed to be illegal under international law. I have always felt that all we are doing is generating the next wave of terrorists who will want to attack us or at least hate us for trying to interfere in their countries. We have spent ourselves into bankruptcy and sacrificed many off our citizens’ lives to push forth a political agenda and try to shove our viewpoint on other countries. We may have the better way of how to do things, but it does not give us the right to push the other kids around.

A huge tangent, but what this issue did is made me think about other stuff and the history of the world as I have learned it needs to be re-thought. I have always had a hard time thinking of Cuba as the bogeyman and I see what Viet Nam has become now that we have left it. The corruption that we always look at in other countries with disdain is just as deep and embedded in the US as it is elsewhere and until we have a full blown economic collapse, true change is far away.

So with this issue inspiring of all this type of thinking it still pushes the story forward as the Cuban official is going to help the Killer fake the death he was contracted for and heck he may even decide to move to Cuba. We also still see that the assassin is not some morally superior person, he is weak and in some ways as despicable as they come, but he feels very real.

The crux of the first story was the Killer getting to the point where he felt it was time to retire. This arc it seems like he started to question what was going on after getting back into the business and maybe painting himself into a corner. I wonder if he will make it out alive.

The Killer series is intelligent, thoughtful, human, intriguing, cool, fascinating, political, never what you think, always leaving you wanting more and a perfect marriage of words and pictures. A compelling series that should be on everyone’s reading list.

Overall Grade A

Indies Preview Review for August Part 1 of 3

Lee: This was a huge month for new books. My first cut was sooo long, that I’ve been forced to drop some books. Overall, this is good for everyone because there’s lot of quality material this month.
Jim: It is certainly good for me as I end up buying too darn many of the books that Lee selects.

Abrams Comicarts
Night Bookmobile GN by (W/A) Audrey Niffenegger
Audrey Niffenegger, the New York Times bestselling author of The Time Traveler's Wife, has crafted her first graphic novel. First serialized as a weekly column in Britain's The Guardian, The Night Bookmobile tells the story of a wistful woman who one night encounters a mysterious disappearing library on wheels that contains every book she has ever read. Seeing her history and most intimate self in this library, she embarks on a search for the bookmobile. But her search turns into an obsession, as she longs to be reunited with her own collection and memories. $19.95 Go here to see samples of Niffenegger’s art. Go here to read the first installment of the story.
Lee: I love this concept. The idea of finding all the books that you’ve ever read in one place is just fantastic. And, she’s already a proven writer so this is really a no-brainer. This should be very, very good.
Jim: Sounds too much like a "chick flick" to me. I would need a recommendation after people have read it to jump on this bandwagon.

Amaze Ink/Slave Labor Graphics
Friendly Game GN by (W) Lindsay Hornsby (A) Jose Pimientelle, Lauren Affe
Friends play many kinds of games with each other: cops and robbers, checkers, tag. The best of friends will make up their own games. Todd and Kevin's friendship is built on such a game. However, the rules and premise are far from the typical childhood games. A dispute amongst the two splits them into very different directions: one sees the game for the cruel act that it is, while the other decides it must move to the next level. $14.95 Visit Jose here and the official page here.
Lee: I have to say that I am exhausted from trying to find preview pages from this story. Sheesh! You would think that SLG might actually have a link or something helpful on their site. Double sheesh. That said, this sounds interesting in an old school, House of Mystery sort of way. Joe’s art seems too happy for the theme of the material but that may help shock value based upon the concept. It appears worth checking out.
Jim: Lee brings up a good point. In today's marketplace when you are soliciting a book and you have sites like ours willing to talk about this books and give them some spotlight, shouldn't you make it easy to give people a preview?

Sisters Luck GN by (W/A) Shari Chankham
Just by touch, Umbra can steal good luck from people, while her twin Antumbra gives bad luck. So long as they are together, their abilities cancel each other out, so neither knows of her power until they go to different universities. There, things became ridiculously easy for Umbra, while Antumbra lived the life of an outcast. Antumbra can only live a normal life if she's near her sister, but Umbra has been using her power to gain fame and fortune and wants nothing to do with her twin. With the help of a mysterious stranger, Antumbra fights to regain her sister's love and fix the balance of luck in the universe. $12.95 Visit Shari here and read her online comic here.
Lee: Now I’m just frustrated. Again, another good concept that has, by all appearances, a creator whose been published before. This should be a no-brainer but I had to work my ass off to find anything about this book. Actually I couldn’t find anything about the book and barely managed to find the creator. Again, that’s just poor marketing for a book that actually sounds interesting.
Jim: I love this concept and the cover alone makes the art appealing. Again why make this a chore? You are trying to sell something, a commercial project needs to be supported. In the internet age this should be easy.

Archaia Entertainment LLC
Fraggle Rock Vol. 01 HC by (W/A) Various
Collects the spectacular first three issues of Archaia and The Jim Henson Company's Fraggle Rock series, featuring work by a talented mix of newcomers and indie superstars! Includes all the activity pages contained in the single issues and, as a bonus, Fraggle Rock content from the Free Comic Book Day issue is included as well! $14.95
Lee: Out of all the FCD books, my kids loved this the most. I wasn’t planning on getting this but I think I am now. And, for the record, it was very good. It’s the kind of book you buy now and read to grandchildren when they visit.
Jim: No grandkids yet. The Henson company has certainly produced a lot of characters and different things that I enjoy, from the Muppet Show to Farscape, so I'm sure this is good.

Syndrome GN by (W) Daniel Quantz, R.J. Ryan (A) David Marquez
When a rogue neuropathologist makes a startling breakthrough - literally isolating the root of all evil in the recesses of the human brain - he'll stop at nothing to advance his theory. With the help of a naïve Hollywood actress, a tormented motion picture director and a condemned serial killer, Dr. Wolfe Brunswick launches a bold experiment in the Nevada desert, the outcome of which could transform humanity forever. $19.95 Visit David Marquez here and see lots of preview pages.
Lee: This sounds and looks very, very interesting. The art looks solid and while it didn't have words I was able to make an educated guess about the story. If you like the horror genre then this has potential.
Jim: I'm on this book. Archaia is hit and miss, but thier hits are tremendous and I'm willing to gamble $20 with a strong concept like this one.

Astral Gypsy
Hokusai Demons & Other Tales of the Fox Mother SC by (W/A) Al Davison
Hokusai: Demons & Other Tales of the Fox Mother is a full-color collection of dream comics with a Japanese theme by award-winning graphic novelist Al Davison, also known as The Astral Gypsy. Says Alisa Kwitney of Davison: He is possessed by demons. How else to explain his art, which can be as lyrical as a Japanese fairy tale, as gnomic as an opium dream, and as gothic and sensual as a Victorian's secret stash of erotica. Introduction by Neil Gaiman. $17.99 Visit Al here.
Lee: You may not recognize the name, but Al Davison has been in comics a very, very long time. He’s worked on both ‘The Dreaming’ and ‘Hellblazer’ so he has a handle on how to work supernatural stories. His art is great and this appears to be the type of material he would excel at. I’m gonna try it.
Jim: I have two reasons to pass on this book. First I'm unfamilar with the artist and have no clue as to his skills as a writer, second I have no clue who the publisher is and have been frustrated before ordering a book that never shows up.

Bloomsbury
Dante's Divine Comedy HC by (W) Dante Alighieri (W/A) Seymour Chwast
Seymour Chwast has long been influenced by Dante Alighieri's Divine Comedy, having first explored the metaphysical tale of Heaven, Hell, and redemption with a series of posters in the 1960s. In this, Chwast's first graphic novel, Dante and his guide Virgil don fedoras and wander through noir-ish realms of Hell, Purgatory, and Paradise, finding both the wicked and the wondrous on their way. From the multifarious torments of the Inferno to the host of delights in Paradise, Chwast's inventive illustrations capture the delirious complexity of this classic of the Western canon. $20.00 128 pages. 11 x 8 in. Visit Chwast here.
Lee: Chwast art is modern art at it’s best. Part style, part advertising art, and a wide mix of influences make it very, very enjoyable. But, who knows if he can tell a story. Ahhhh who caress! I want to see the pretty pictures.
Jim: Lee is the art guy and will take the chance for pure art reasons, as the story guy an easy pass for me.

Boom! Studios
Dracula: Company of Monsters #1 by (W) Kurt Busiek, Daryl Gregory (A) Scott Godlewski
He's back from the dead and starring in a new ongoing horror series from the mind of Kurt Busiek. A powerful, predatory corporation acquires a valuable asset - Dracula! They think they own him, but no one can own the Son of the Dragon. There's a monster in their midst that puts Hannibal Lecter to shame - and he plans to gain his freedom in blood. It's bloodsuckers vs. bloodsucker, as Busiek brings an incredibly modern spin to the Dracula mythos. Joining Busiek is award-winning author Daryl Gregrory (Pandemonium) and rising star artist Scott Godlewski (Codebreakers). The epic journey starts here, so don't miss the debut issue of Dracula: The Company Of Monsters, the next breakout ongoing series from BOOM! Studios! $3.99
Lee: If anyone can make this work it’s Busiek, and for that reason, and that reason alone, I’ll give the first issue a try. But, I’m not convinced. Then again, I just might be bored with vampires too.
Jim: I have to agree without Busiek and the Boom name on this book I would probably pass as right now American Vampire is doing the Vampire thing so well, the rest looks boring.

Tuesday, June 22, 2010

The Amazing Spider-Man #634 - A Review


For more than a year, the Amazing Spider-Man has been published thrice monthly. It’s unfortunate that during this time, the book has been overshadowed by the story that preceded it, because honestly, the overall quality of this book is the highest it’s been in years. Reading Spider-Man hasn’t been this good since the first half of JMS’ run on the title and you’d probably have to go back a decade or so before that to find anything approaching this level of quality.

The second year of the title, which has added comic veterans like Joe Kelly and Mark Waid to the book, has been particularly strong. Largely focused around a storyline called the Gauntlet, it has thrown Spidey’s villains (all of which have been slightly retooled or updated) back at him in quick succession. Most of the stories have been pretty good, in particular the Shed storyline, which just wrapped up and had the comics internerd abuzz over its new spin on the Lizard.

Seeded throughout this story was Kraven the Hunter’s family, who was manipulating Spidey’s run ins with the villains from behind the scenes, all in an attempt to wear Spidey down. This issue brings their plot to a head with the Grim Hunt story arc. To be honest, while I’ve largely enjoyed the Gauntlet, the Kraven bits of the story always felt a bit tacked on to me and I never paid them much mind. So imagine my surprise when the first issue of the Grim Hunt turns out to be one of the best issues of Spider-Man in a year, and considering that this issue involves 2 Spider-Women, a Spider Clone, and Madame Web, that’s saying something.

While suffering from swine flu, Peter’s recuperation is interrupted by Kaine, the super strong, super crazy spider-clone brought back a few story arcs ago. He’s been messed up by the Kraven family who is hunting c-list spider related characters. Peter goes to save the Jessica Carpenter Spider Woman and after an awesome fight, escape to Mattie Franklin Spider-Woman’s apartment where they are confronted by the corpse of Ezekiel, the Spider avatar guy from JMS’ run. Turns out the Kravens are hunting spiders. Meanwhile, the Kravens sacrifice Mattie Franklin in a in a ritual that resurrects some Kraven who is not Kraven the Hunter.

Joe Kelly does a fantastic job of establishing the story’s foreboding and threatening mood right out of the gate and lends a real sense of menace to the Kraven family and their threats. He also does a remarkable job making us care about Mattie Franklin in a remarkably short amount of time. The tone of the story almost feels alien in a Spider-Man book, but the voices still all sound right and it really sets the story apart.

Equally impressive are Michael Lark and Stefano Gaudiano’s outstanding artwork. Stark and realistic, it perfectly sets the tone of the story, from Peter’s first bloody meeting with Kaine to the brutal fight with the Kravens. It’s also a fitting heir to the art style we have expected on Kraven stories ever since Mike Zeck drew Kraven’s Last Hunt.

Another great part of this book is the back up material. I know that Jim is declaring fatwas against $3.99 books with a regularity that would make Mullah Omar blush, but I think even he would agree that this book gives you your money’s worth. In addition to the regular sized lead story, it also contains a back up story about Kraven the Hunter shortly before Kraven’s Last Hunt, the definitive Kraven story. Fittingly, it’s written by that story’s author, J.M. Dematteis and is beautifully drawn by Max Fiumara. Its a good portrait of the dead guy the characters in the main story spend the rest of the book talking about so much.

The second back up is the beginning of a new 12 month strip by Stan Lee and Marcos Martin. Each month will publish 2 pages and quite frankly, it’s amazing. Lee’s contributions are charmingly retro, but what sells the simple story (two thugs use a crazy machine to escape into a fictional Spider Man comic), is Marcos Martin’s gorgeous artwork. Honestly, if these two pages were the only extra, the book would be worth its $3.99 price tag. The art is THAT good.

Bottom line, this is a great start and completely drew me in to a storyline I hadn’t really been looking forward to. Honestly, if Shed hadn’t been so good, I’d probably be even more enthusiastic about this issue. It’s a shame that the One More Day garbage is overshadowing this book, because it’s top to bottom quality. Check this one out, cause its great Spider-Man stuff and Joe Quesada won’t be raping your childhood until the next story arc.

The Week of June 16 In Review


So the chattier approach to the week in review is my format of choice this week. It is disturbing on some level that this week and comics in general have been in a bit of a malaise in my viewpoint. As the week progressed and I read more books I realized that it is really the mainstream comics that are in more of a funk and the other books are still doing well. Lately the core material has been leaving me cold and the books that probably are fighting for survival are the most satisfying reads.

New Avengers #1 is a prime example of the newer material and while that book was a decent read you could see certain stuff coming a mile away and the inherent sameness of the material permeates the entire fabric of that book. The nature of the beast for Marvel and DC is that the highest profile books will always have sameness to them. Marvel’s changing the landscape of the playing field was a good illusion, but after seven years of doing that, that trick has worn out also. Plus with Marvel and DC both coming off the huge events (Siege and Blackest Night) many of the titles are not resetting their foundations and while the set up is important it is by its very nature the slowest part of the story.

Many books are still breaking that mold and DV8 #3 (of 8) is one such book. Writer Brian Wood has taken characters I could care less about or even knew about and has given us a mini-series that has a central mystery, great story telling with beautiful fluid artwork and is slowly introducing these characters to me inside the context of the story. The mystery is who is interviewing Gem, our point of view character, and why were these characters were dropped onto this planet. This issue Gem found Powerhaus, who is a character I knew nothing about, and by the end of the story the central plot had moved forward and I had a solid understand of what Powerhaus was and who he is now. Rebecca Issacs art is clean, fluid and see knows how to tell a story. You know who each character is and you eye naturally flows from panel to panel. A good comic has to have that marriage or words and pictures and this book has it.

The Spirit #3 was a great issue. I’m sure most fans are ignoring this book, but Mark Shultz told a great story and Moriat’s artwork was brilliant. Unfortunately this creative team is only on this book for the first three issues. The good news is David Hine is taking over as the writer and Moriat is staying on as artist, so I believe this book will be in good hands. I like this version of the Spirit better then the last incarnation as he is a little dirtier and his world is a little nastier then the light hearted version of the character that the last series embodied.

Four Eyes #4 from Joe Kelly and Max Fiumara was another excellent issue. I keep thinking I have dropped this book because they stopped publishing it, but when or if it comes out I will continue to buy it. Joe Kelly’s last story called I Kill Giants was one of the best stories done in comics and his follow up Four Eyes has been as strong, but is dying for lack of actual publication. This issue ended the first arc and I hope we get to see more of this young boy and what he will do with his new pet dragon in depression era America (the one from the thirties, not today).

Fables #96 was a great issue. I think when Snow White is a central character I love this book and when she is not I have less interest in the book. We are on Chapter Three of the story of Snow’s sister Rose Red and we find out why Snow and she were separated. Writer Bill Willingham mixes the traditional material we know with his own work so seamlessly that you would think this was the actual fairy tale being told and not Bill’s wonderful incorporation of fairy tales into his work. Mark Buckingham’s work is so consistently good looking and easy to read that I think I sometimes take his work for granted. I always get a quality art job from Buckingham, inkers Leialpha. Pepoy and color artist Loughridge. As strong as Bill’s writing is, the artwork seals the deal and makes this one of the best and longest lived Vertigo series ever.

Walking Dead #73 was another strong chapter in a series that continues to be a great story of survival in a post apocalyptic world. It has grown over the years and as new characters come into the book you always wonder what their role will be. Abraham has changed from the gruff slightly psychotic nut job into a strong and virile leader. When Rick and the group move on from this enclave, because it can’t last forever, I can easily see Abraham being the leader of the group and not Rick. This issue focused on Abraham and showed how he made the group he was with follow his path as opposed to him just docilely accepting how the group was going to scavenge items outside the walls of their little compound.

Atlas #2 from Marvel is one of those titles that get to do more of whatever it wants since it is not tied into any core books from Marvel. The problem is that this book has spent its first two issues making 3-D Man the start or focus of the title and done very little to do more then give us a bare bones introduction to the core concept of the book. I know Agents of Atlas has been floating around for awhile and I love this series, but as a re-launch I question the story selection to start off the newest version of this series.

DC two core books that I enjoyed were Birds of Prey #2 and Brightest Day #4. Birds of Prey should have never been cancelled and I think writer Gail Simone is just doing a great job with this book. I’m already into the story and love how the tables have been turned on Oracle and her group. I’m a little upset that in issue #2 Ed Benes needs assistance to finish the book as the fill-in artist work was much weaker then Ed Benes. Brightest Day #4 is good but it suffers from having too many stories to tell and therefore we are four issues into the book and it is still more about setting things up then getting into the crux of the story. It is certainly well written with strong art and with a bi-weekly schedule it is easier to accept 4 well done issues setting things up then if this had been a monthly.

The last book I want to mention is The Shield #10, the final issue of this series. Comics are about flow and marrying words and pictures. The Shield was an example of two very talented creators not getting it right. Writer Eric Trautmann has excellent stories and had some wonderful concepts going on with how The Shield’s nanotech armor worked. The problem was that in conveying the story and the way the armor worked it created way too much text within the story telling and it slowed the comic to a crawl at points. There is a page were we have The Shield talking, Mr. Terrific talking, the read out from the armor and The Shield’s internal monologue all on the same page. It is well written, it is very interesting, but it is too dense and trying to do too many things at once for an action sequence. Marco Rudy is a strong artist and one day will be a star for DC like Ivan Reis has become. He is going through a phase from what I see of playing with page design and again trying to do too much. Too many pages I had to try and figure out how to read it and what panel came next. I applaud the effort to take his design skill to the next level, but if it is not working a six of four panel grid should be used. Don’t get me wrong Eric and Marcos will both be stars in this industry, I just think a stronger or better editorial hand could have made this series a hit because the elements were there, it just needed work.

That’s a wrap for this week and while there were no blazing comet super terrific best books, there were plenty of good titles and material that I enjoyed. Again I find a lot of mainstream books to be less than stellar at this time, but still a lot of great comics if you just look around.

Monday, June 21, 2010

Richard Stark’s Parker – the Hunter – adapted by Darwyn Cooke – A Review

Richard’s Stark’s Parker – the Hunter

Publisher IDW

Adapted and Illustrated by Darwyn Cooke

134 Pages of Story and Art

Price $25

Some books are so damn good it is impossible for me to convey exactly how much I truly enjoyed the work. I love the noir type of comics and I now look for graphic novels that understand the form is a marriage of words and pictures. To truly be a graphic novel the understanding of what needs to be conveyed via words and what the art can tell without words needs to be understood. Darwyn Cooke is creator at the height of his prowess and this adaptation hits all the spots dead on and without a doubt is the best read I have had this year.

I know this book has been out for some time and I have heard nothing but great things about it, but the crush of what I have been getting weekly has caused me to put aside way too many of the graphic novels and trades that I have. The recent cutback of my list has freed up some time and my general malaise with the bulk of the super hero material has driven me to pull more and more material off my bookshelves and finally read them.

Parker “The Hunter” is an adaptation of Richard Stark’s book of the same name. I have not read the source material but if it is half as good as the adaptation I need to be reading all of Richard (a pseudonym of Donald Westlake) Stark’s books.

The story is set in 1962 and Parker is a thief. His plan for his life has been to do a job and live off the proceeds and do another job when the funds run low. He has never been caught and there is no record anywhere on him. In addition he robs armored cars, banks and other such entities to reduce any sort of personal vendetta that might be held against him. He usually would work with three or four other guys in the business who also knew what they were doing. He is smart, calculating and we find out when he needs to be, ruthless.

The book starts out with us following Parker as he is entering New York City. Within 20 plus pages we see him establish a new identity, steal someone’s bank account, buy some new clothes, have a steak dinner and then show up a beautiful woman’s house and slap her to the ground. I think there are maybe three word balloons for that entire sequence. It is so effective in drawing you into the story that by that time he shows up at the dame’s apartment you don’t want to put the book down. At this point you have no idea of who is Parker or anything about his background.

I’m not going to go into a detailed plot summary, because I want you to read the book and enjoy it as it unfolds. What I will say is Parker is tough, uncompromising, merciless, cold blooded and yet is almost someone that you can admire in that he has his own code and no one is going to f**k with him. The tale of why is after some people is one that makes sense and you can certainly identify with him for wanting to make these people pay.

The entire book is done in black and white and one shade of blue. With just those few colors Cooke sets the mood perfectly. He is also a master story teller and each page flows from one to the next. He knows how to pace the story and when to add the text and when to stay away from the text and let the pictures tell the story. If they make a movie out of this book Darwyn has already done the entire story for them and they should follow this as their storyboards and bible for how to pace the film. I finally decided that if Vince Vaughn is willing to step away from his comedic work, this would be a great part for him to play.

This was far better than Criminal, which is a very good piece of work and is just as strong as Scalped, albeit in a different format. I guess what I’m saying is this is one Class “A” graphic novel and it delivers the action, the drama and the feeling of what a true noir book should deliver. This is a masterpiece of graphic fiction and a true testament to the skill of Darwyn Cooke and the strength of the source material from Richard Stark.

This goes down as one of the best graphic novels ever done. I can’t wait for the next one.

What I’m Getting Wednesday June 23

If you follow comic news you will noticed that it gets very quite during the May/June cycle as the companies put off announcements for the San Diego Comic Con. The big problem is most of these announcements are for products that maybe a year or so away. I think the new Dr. Solar and Magnus series were announced by Dark Horse last year and we have yet to receive issue #1 of either book yet. So it is better to try and not get too hyped about future stuff and instead look forward to Wednesday instead.

It is a relatively calm week with only three books coming out from Marvel that I’m getting, Namora #1, Thunderbolts # 145 and X-Men Legacy #237. I found it amusing how many books the Agents of Atlas have been given with the Namora One Shot just being the latest. Of course she is still getting the short end of the stick as Marvel Boy and Gorilla Man (due out soon) were given three issue mini-series. Thunderbolts is still a work in progress as we are settling into a new status quo on that book and X-Men Legacy is Chapter 12 of the well done X-Men Second Coming saga. I’m still enjoying this story, but I think some tighter plotting could have made this a shorter story.

The other category, including Vertigo has some great books coming out this week. What I’m calling literate comics has American Vampire #4, Killer Modus Vivendi #3 (of 6) and Battlefields #7 (of 9). This category are books that are the crème de la crème of the comics world where the words and pictures meld together and become more like chapters of an illustrated novel then what is commonly referred to as a comic book. In some ways these books make it harder for me to enjoy some of the more standard fare as they lack by comparison. The other category also has Joe the Barbarian # 6 (of 8) which is also a high quality book, Mouse Guard Legends of the Guard #2 (of 4) a terrific book. Saga of the Swamp Thing Volume 3 collecting Alan Moore’s run on Swamp Thing, 7 Psychopaths #2 (of 3) and the return of Dynamo 5 with Sins of the Father #1 (of 5).

The mainstream DCU has a ton of books leading off with Green Arrow #1 and Justice League the Rise of Arsenal #3 (of 4). Now I have issues with Ollie still running around as Green Arrow, but the premise has potential as GA should now be a friendless loner who has by his own actions isolated himself from the rest of the JLA. The proof will be in the actual comic. The Rise of Arsenal has been panned far and wide as a horrible series and while it is certainly not distinguishing itself as a great book I think the criticism is over the top as this book is just a poor melodrama. Again I believe the editors of the book should be able to determine that prior to publication, but I believe it all came down to getting rid of Roy being Red Arrow.

It is a big girl week for DC with Power Girl #13, Zatanna #2 and Supergirl #53 all hitting the stands. I have to say that Zatanna got off to a good start and Supergirl is sort of a re-set as we start the next arc of her life now the War of Supermen is over. What disturbs me the most is the five page preview I read of Power Girl #13. I know new creative teams can be hard pressed after following up on a strong team, but the five page preview gave me little hope that I will be continuing this comic as it starts off tying into the whole search for Maxwell Lord thing that was already covered in Generation Lost. The book is called Power Girl and I think the fans of the book want it to be more about her. She can have the interaction with the cape set in JSA and other books, but she should stand alone. I will give it a chance the preview was not an enticement to follow the new team.

The Batverse has a busy week with Batman Arkham Asylum Madness HC, Batman Return of Bruce Wayne #3 (of 6), Batman Streets of Gothamn #13, Detective Comics #866 and Joker Asylum Killer Croc #1 all coming out Wednesday. The Arkham hard cover is an OGN by Sam Keith whose work is always unique and sometimes brilliant and sometimes odd. Which describes my view of Grant Morrison also, whose Batman and Robin has been terrific and the Return of Bruce Wayne has been over the top madness. Killer Croc is by Mike Raicht whose work for T3rd World Studios has always been very solid. It is nice to see DC is recruiting some different talent onto their books.

The rest of the DCU includes Green Lantern Corps #49, Justice League Generation Lost #4, Legion of Super-Heroes #2, an anniversary issue Superman #700, Superman/ Batman #73 and we will include the lone Wildstorm series Authority the Lost Year #9 (of 12 ) in this group. Sadly I’m not thrilled about the next issue of LOSH as the first issue was a disappointment and the JL Generation Lost book is losing my interest also. The concept is okay and interesting, but I have a feeling the execution will be boring and too typical because they are making a one central plot 26 issues long.

As I stated a rather calm week this week with the highlight being AV #4, Killer #3 and Battlefields #7. Those three books alone make it worth the trip Wednesday.

Sunday, June 20, 2010

Father's Day

I know I promised to review Jersey Gods this week, but it's Father's Day today, so I'm pushing it back another week. I'd feel bad, but there's no more issues to buy now anyway, so I'm not costing the creators anything by my procrastination (presuming a positive review that'll send the masses out to buy copies, of course).

Father's Day is something of a mixed emotions holiday for me, ranging from maudlin to apathy. The apathy is the obvious that it's just a Hallmark holiday. For me, like all holidays that involve gifts for me, it boils down to me spending money on myself because I'm the only income provider in the household, which detracts a bit from the whole gift receiving business. That I'm solicited for gift ideas makes it all the more so that I'm just buying something for myself. Not that it's easy for my wife or kids to get me something. I don't have a lot of wants, and what I do have is in the realm of comics. None of them are into comics (except Transformers for my son), so they don't talk to me about comics or know what I'd like to have.

But all that's just the veneer of Father's Day. If I think about it, there's more substance and the day has meaning. The duality of it is my role as son and my role as father, both of which are imbued with significance. My relationship with my father, as an evolving interaction, ended in August 1992 when he died suddenly of a heart attack caused by a congenitally enlarged heart. Most fortunately, there was no baggage, no unresolved issues between us when he died. I loved my father very much, and he loved me.

I was 25 when he died; a recent law school graduate with crappy employment prospects (a prior recession, for those who don't recall). I was also just married with a bride still in law school herself. I had reached adulthood, and adult responsibilities. It was not easy times, and his death didn't make it any easier, emotionally. Financially, it actually helped because of a life insurance policy and his pension, split between me and my brother. However, in addition to missing him, I was left with some guilt because of the pecuniary benefit. But I knew he'd also have done whatever he could to help if he was alive, so that was ameliorative, as was the fact that by the time he died we were close friends as well as father and son.

Not that he was a buddy sort of parent when I was growing up. He was Dad, the authority figure, first and foremost. Though my parents were liberals (Mom still is), they were not ones to spare the rod. Nor were they opposed to corporal punishment by other authority figures, as exemplified by the time an assistant principal in elementary school pulled me up by my hair. Probably had something to do with them both being educators themselves and knowing the smart ass kids such as myself.

His lessons weren't all of the "follow my lead" sort, either. Some were example as antithesis. His legendary temper helped me learn to control my own, not wanting to be that sort of source of fear to my own wife and kids. Not that I don't get angry or loud. I just don't do the sudden explosions or bursts without explanation to the subject of the anger. He also had an affair in the mid '70s and split from Mom altogether in '82, again after an affair. It's a central element of my marriage not to repeat those steps. Not that my marriage might not end some day. Who knows? As always, it's a work in progress.

So my view of my father has been and remains one of love and admiration, but not putting him on a pedestal of perfection.

With my own kids I try to inhabit the same role my father played for me, in terms of providing guidance of how to make decisions ethically and intelligently. Their mother takes them to church, but I'm trying to teach them to reach smart decisions from a rational basis rather than because of the threat of some omniscient, omnimpotent force either laying laying down the hammer or smothering in some existential love. Human law and ethics is based on decisions as to what's good for individuals and societies, whether we're willing to admit it or not. Cloaking those decisions in some vague religious patina doesn't abjure us from our roles in those decisions.

But I digress. What has been somewhat unexpected about being a father is what I've learned from my kids. Not the obvious that having kids changes your life. I knew going in that having kids would mean more responsibilities, more expenses, and, hopefully, more love. Both of my kids were planned pregnancies, leapt in with eyes open. My kids are now 9 and 11, and it's the things I'm learning from them that are a surprising joy (to paraphrase C.S. Lewis).

I'd guess it's how it was with my father watching me and my brother grow up, but it's wonderful to see them become their own people. My son's interest in all things Mario, Transformers, and the like is no different from millions of other American boys (and some girls), but seeing how he is a quick wit with handwriting at least as terrible as my own, as well as someone who is good at rolling with changing circumstances, is fun and instructive. My daughter's love of dance, her loyal cadre of friends, her artistic flares, her fashionista propensities, and her outright high intelligence across a broad spectrum of topics is reaching a more often infuriating stage, being the middle school kid, but it's still fun when I take a step back and recall my own youth. As a result of their development as people, and my liking them as people, my own interests have been widened, so that I know more about some things that I might otherwise.

Parenthood is often portrayed as a burden, an interruption in our own development as individuals, but a parent who's willing to see the give and take with the child(ren) is a parent who'll realize that children are just another part of the parent's own individual development, not an impediment to it. We are none of us in a vacuum of our own selves in life. With or without children we'll interact with others in our lives. Taking the chance to be both an influence and responsible in someone's development is one of the burdens and joys of being a parent. Life: it's not for the squeamish.

As a bonus, below is a poem by my 11 year old. It doesn't have anything to do with Father's Day but for my pride and joy in her accomplishment.

I Am From...

I am from the back seat
I am from the greenest patch of grass
I am from the boiling water as the bubbles boil up
I am from the beach of North Carolina
.
I am from the glistening sun,
and the frosty snow shining from the sun on my snow hill I built
I am from the tan desk in my classroom
I am from the big Hershey kiss
and the zooming roller coaster going by
I am from the big blue house with all the plants
.
I am from that wonderful cat of
my neighbors', Puss'n'boots, in the little red wagon
I am from the snow tunnel,
in the jewel looking flakes
I am from that average dance studio,
that I mentioned when I was 2 years old and still know now
.
I am from the green field, kicking the ball back and forth
I am from the 2 big cherry blossom trees that would take your breath away;
breathtaking magical little garden
I am from the little church, the cross above the pastor giving the sermon,
with the purple scarf upon it
.
I am from the big family,
4th of July is always a blast,
stuffing my face with deviled eggs,
then my neighbors nearly blowing their hands off, cheap fireworks
.
I am from the greasy fried chicken,
the best homemade chicken that I have ever tasted
.
I am from the petals falling,
the snow shining like a star,
and the bluest water in the Bahamas,
the Owings Mills mall that keeps shutting down
I am from - many places