This weekend I'll be talking about a series you most likely didn't read but should have!
So, this is the double page spread of the villain in issue #5. He's the embodiment of pollution...
"Every footstep he takes releases toxins into the air.
His very breath chokes the air with poison.
Everything he passes dies. Pigeons, rats, turtles, impatient lovers grappling in the bushes. Everything."
So can you figure out the series?
And yes, that's a stove pipe coming out his asss... butt.
Wednesday, March 07, 2018
Sunday, March 04, 2018
Matthew: Year One (1977): Origin of the Comic Collector -- First Comics
It was too serendipitous that my return to blogging for Comics And so closely coincides with my 41st anniversary of collecting comics that I had to make my first post of our reboot about my first comics. These days my short-term memory seems to be more Swiss-cheesed than Sam Beckett of Quantum Leap. (I couldn't remember the term "sciatica" the day after I suffered from perhaps my first bout with it last week.) I chalk it up to advanced maturity or my James Bond style sleep schedule (you'll have to dig into the Ian Fleming novels to understand that reference). Contrast that with some childhood memories, which never disappear. Even though they may be faded and blurry like an old Polaroid or Fotomat 110 print, at least they're still present. Fortunately (and I use that term linguistically for style rather than a belief in luck or fortune - "Blessedly" or "Thankfully" would be more accurate, but that would get old real fast), we have physical evidence and ultra-cool online resources to help clear things up a bit.
The "high tech" (scotch-taped) photo stitch below depicts my original comic collection, then only a few months old circa May 1977. More detailed comments and recollections continue after the break...
The "high tech" (scotch-taped) photo stitch below depicts my original comic collection, then only a few months old circa May 1977. More detailed comments and recollections continue after the break...
Thursday, March 01, 2018
The Black Panther: A Discussion (or A Monologue, if no one
comments)
I have now seen The Black Panther twice in the last week. There’s so much about this movie that’s ripe for discussion that it could
be a college course unto itself. Cultural significance. Feminism. Colonialism,
past and present. A binary view of the world. It’s a cornucopia of ideas and provocations for
introspection, so much so that it should be on the Oscars list for 2018 movies,
and that doesn’t even factor that it’s so big that it’s going to be a world
culture touchstone. Better still, it’s highly entertaining in its milieu.
But I want to talk about two aspects of the movie. One is
the question of Wakanda’s place in its fictional world. The other is the harm
that damaged little boys can do as men.
There’s been some discussion that N’Jadaka
(Killmonger),and by extension W’Kabi, is correct to bring Wakanda to the world
by force, overthrowing its tradition of isolation and secrecy, and installing
itself as (benevolent) ruler over all. More, including director Ryan Coogler, support
Nakia’s vision of Wakanda as a diplomatic, financial, and technological force
for improving the lives of the downtrodden, particularly those descended from
Africans taken from Africa as property.
Klaw describes Wakanda as El Dorado, hidden in Africa rather
than South America, but the real world analogy to Wakanda is Switzerland. Both
are small, mountainous nations formed from the joining of once warring tribes
that have developed great wealth and comfort for their people by leveraging
their resources and talents while maintaining neutrality and secrecy. Different
sorts of secrecy, but secrecy nonetheless.
In recent decades Switzerland has been pressured to open
its banking secrecy to benefit the wider world, particularly in pursuing criminal actions. No one argued that Switzerland
should take over the world as a benevolent invader, though. No one even
suggested that Switzerland owed the rest of the world any wealth or technology
that other parts of the world might not have.
Wakanda, operating quite similarly to Switzerland, is
under a different burden that reflects the African diaspora and the fact that merely being black in America and the world is a political statement. There is no
European diaspora that is the result of forcible relocation to other
continents. Yes, the Irish fled in great numbers to America due to English
oppression and famine, but they weren’t sold to America. On the whole the
spread of Europeans around the globe is voluntary, often opportunistic at best
and repressive or murderous of others at worst.
For The Black Panther, both the movie and the character,
the Switzerland model is simply a non-starter for Wakanda. While that’s been
the way for centuries, it can’t be the way of the future. The plight of other
Africans and African descendants is not the same as the status of Europeans and
European descendants. Is it fair to put that on Wakanda? The movie doesn’t ask
if it’s fair. It asks if the balance between Wakandan safe borders and the health of the rest of the world should be changed and in what way.
A corollary question can be asked why those who advocate that Wakanda owes the world a more active, if not interventionist, existence don't advocate that the Jabari owe the world the same. They're within Wakandan borders, but they're separate from both the world and the rest of Wakanda. They're not so wealthy as the rest of Wakanda, but they're secure and prosperous. Do they owe the world as well?
Coincidentally, a movie that started before anyone
conceived of the regime now running the US is talking about the wealthiest
fictional nation having an obligation to help the rest of the world without
imposing its will on the world by force, while the US regime abdicates any form of
help in the world that isn't granted via the recipient becoming a vassal state and exponentially expands the resources for forcing its will,
albeit ineffectually implemented. Not so coincidentally, the border force of Wakandan is as trustworthy with power as the border forces of the US.
Which brings us to damaged little boys. N’Jadaka is
damaged by the loss of his father, N'Jobu, when he’s about 10 and by his subsequent
childhood in Oakland. He carries that loss and the lessons of inequality that
his father imparted before that loss to fixate on revenge for the slights the
world has inflicted on him. But his revenge is directed to the whole world,
regardless of culpability. He doesn’t seek justice for a wrong that may have
been done to him or his father. He seeks revenge against everyone and cloaks it
in a righteous mission to lift up the true people. He lies about Wakanda and its history. It’s all very Trumpian.
Trump is a damaged little boy, too. He wasn’t damaged in
the impoverished streets of Oakland but in the wealthy skyscrapers of New York.
He didn’t work and fight to achieve from little resources. He didn’t have the
least intelligence. But he arrived on the stage of adulthood similarly self
absorbed and willing to do anything to satisfy his desires for power,
acceptance, and glory. He adopted a similar story of aggrieved righteousness
for himself and the true people. He adopted the same martial mania. He lies more prolifically than Gretzky scored goals.
The result with both men is that they become destabilizing forces in the world, seeking the oppression of others to satisfy their own inadequacies. Large scale death is just an acceptable collateral damage. Both are willing to turn on an ally in an instant if it serves his own moment.
Much to ponder in The Black Panther. That makes it art, politics, and entertainment of the highest quality. That makes it worthy of honors from its industry. But if those honors aren't forthcoming, they don't diminish The Black Panther. They diminish the industry.
Sunday, February 25, 2018
The Return of the Opinionator
🎶Back in the saddle
again...🎶
It’s been a few years. Having been gone so long, it’s
only fair that I start with letting you know what I’m reading so you know what
perspective I’m bringing to reviews and commentary. These are the singles I’ve
bought over the last couple months. No trades or other larger collections bought during that time, though I am reading the Golden Age Wonder Woman trade that I bought some months back. We can talk about the ridiculous extent of the racism therein at a later time.
Archie Comics
Archie 27-28 - Waid, Mok, Fitzpatrick,Morelli
Boom! Studios
Abbott 1 - Ahmed, Kivela, Wordie

Dark Horse
Jenny Finn 2-4 - Mignola, Nixey, Stewart
Incognegro: Renaissance 1 - Johnson, Pleece
DC
Doom Patrol 9, 10 - Way, Derington, Fowler, Bonvillian
IDW
Atomic Robo: The Spectre of Tomorrow 3, 4 - Clevinger,
Wegener, Clark, Powell
Image
Black Magik 10 - Rucka, Scott
Copperhead 17, 18 - Faerber, Moss, Riley, Mauer
Invincible 143, 144 - Kirkman, Ottley, Morales, Fairbairn, Wooten
Kill or Be
Killed 15, 16 - Brubaker, Phillips, Breitweiser
Lazarus: X+66 6 - Rucka, Trautman, Jones, Arcas, Wynne
Outcast 32, 33 - Kirkman, Azaceta, Breitweiser
Paper Girls 19, 20 - Vaughan,
Chiang, Wilson, Fletcher
Royal City 8, 9 - Lemire
Sex Criminals 21 - Fraction,
Zdarsky
Twisted Romance 1, 2 - various
The Walking Dead 175, 176 - Kirkman,
Adlard, Gaudiano, Rathburn
The Wicked + The Divine Christmas Annual; 1923 -
Gillen and various; Gillen, Koch, Cowles
Marvel
The Mighty Thor 702, 703 - Aaron, Dauterman, Wilson

Moon
Knight 190, 191 - Bemis, Burrows, Ortego, Lopes
Not on here due to hiatus are Saga by Vaughan and Staples
and Bitch Planet by DeConnick and De Landro, which are easily two of my
favorite books. Also on a hiatus (though returned after I started writing this) is Descender by Lemire and Nguyen, which is both a great story and some of the best water color art you'll find in comics. Part of that Image dominance in my reading, but the creator
owned books tend to be better, and Image has a track record of putting out high
quality books.
I wasn’t reading much of the Big Two when we last put out
this fantastic production and that hasn’t changed. I will pick up a book by a
particular writer, but even writers I like when they own the work can be far
less enjoyable when working under corporate restrictions. Moon Knight is the
only one I’ve continued because I like where the character is going in spite of
creator changes.
Next time, discussion of a specific book. Maybe
Invincible, as I’m re-reading the whole thing, now that it’s come to the end.
Monday, February 19, 2018
Review: Lego DC Superheroes: The Flash Movie
Review: Lego DC Superheroes: The Flash Movie
Welcome back to Comics And… I’m posting again (because I’m procrastinating
in studying for my class).
Story 4.5/5 stars
Animation: 4/5 stars (I mean, fine for a Lego movie)
Recommended age: All ages!!!
Recommended age: All ages!!!
My son loves Legos. Probably because Legos are awesome. He
and I share a love of superhero stories. Combined this results in watching a
lot of Lego superhero themed stuff. We aren’t much of a Marvel family (although
Lego Loki is a lot of fun) so he and I were pretty excited to watch the
new(ish) Lego DC movie, The Flash.
In the past a majority of the Lego DC world has focused on
Batman and the Bat-family and then slowly expanded into the Justice League. They
even had appearances by the Legion in previous movies. Flash has not gotten
much attention until now. Basically, they pull a lot of Flash’s personality from
the Animated Series (even though Lego uses Barry, not Wally) but considering
the kid-friendly focus it makes sense to have more of a happy and beloved
Flash.
First, the good.
Pretty much everything. It was a cute story that starts off
with a time loop scenario. Often time loops can be tedious and annoying but Lego
keeps it short and even humorous.
The movie starts with the Atom being shown around JL headquarters
as a prospective member. We get an appearance from both Ace the Bathound and
Krypto. The Atom quickly dubs them (sarcastically) “superpets” which makes me
enjoy this movie even more. Superpets are one of the most absurd concepts in
the comic book realm and I always appreciate a cameo or two. As a bonus my son
also loves the superpets (especially Ace).
The overall plot is decent. I wasn’t expecting a masterpiece
of storytelling here but it’s an easy to follow story despite time travel. The
main bad guy is, of course, Reverse Flash, and Barry keeps running faster and
faster to try and catch him allowing Reverse Flash to dump him in a time loop.
The part that was really well done with the time loop was how
Barry keeps wrapping up all the tasks he had on the first time through the loop
to the point where he delivers a bad guy to the JL before any crime was
attempted.
Thankfully the writers only use the time loop as a starting
point. The second part of the movie is split into 3 main stories – the Atom
being stuck in his small mode, the JL trying to figure out what the Reverse
Flash is up to, and Barry trying to tap back into the speed force.
My absolute favorite moment was Ch’p (or B’dg as I can’t
tell them apart and missed the name when they said it – the Squirrel Green
Lantern) showing up to help and being lumped in with the other superpets.
Now, the bad
Nothing was actually bad. All the Lego stuff has pretty
obvious morals embedded into their stories which can get tiresome for an adult
but are important for all the kids watching (this movie was stuff like take the
time to slow down and have a plan). All the Lego media my son and I watch tends
to have lessons like never give up, and always stand by your friends. This
stuff gets pretty hammered in but for the elementary crowd its fairly
appropriate.
Of course, Lego is trying to sell their products so they
always have fancy new stuff you can buy in some kit being used for their
movies. If your kids are bad about that kind of thing you may want to be warned
ahead of time that there are absolutely several new DC Lego sets based on this
movie (I don’t have this issue, but I know some parents like to know about all
the product promotion).
Finally, Zantanna was pretty awful in this movie. Z is such
a cool character and she was pretty much a throwaway in this story and written
completely out of context. It was a weird call and strangely
involved a musical number.
In conclusion, I highly recommend this movie for those of
you with kids or those of you who are young at heart. I know my son and I will
end up watching it again.
Sunday, February 11, 2018
Review: Trinity by Matt Wagner
Welcome back to Comics And… It been a long time since I
wrote anything about comic books and a lot has changed for me since I last
reviewed a book. My taste in reading material has changed as I’ve grown older,
had a child, and transitioned from a high school teacher to an archaeology
graduate student. My first review on this side of my life is not a glowing one
and has even inspired me to re-read an old favorite to make sure I hadn’t been
forming my expectations of the creator’s work from nostalgia. Let’s dive in!
Review: Trinity by Matt Wagner
Basic breakdown:
Story 1/5 stars
Art 3.5/5 stars
Recommended age: high school and up
This review deserves a little bit of background before I get into too much detail as my impressions have been somewhat colored by circumstance. Jim (my Dad) gave me this book years ago and I just hadn’t gotten around to reading it until now. I had gone to see the recent Justice League movie with my husband and son and was so happy with how much fun my son had watching it that I decided to peruse my bookshelf for a hopefully similar story. I saw the Trinity book, saw that my old favorite (from Mage) had written and illustrated the story, and briefly flipped through to make sure it was 5-year-old appropriate. At a glance it seemed fine so my son and I sat down to begin reading.
Story 1/5 stars
Art 3.5/5 stars
Recommended age: high school and up
This review deserves a little bit of background before I get into too much detail as my impressions have been somewhat colored by circumstance. Jim (my Dad) gave me this book years ago and I just hadn’t gotten around to reading it until now. I had gone to see the recent Justice League movie with my husband and son and was so happy with how much fun my son had watching it that I decided to peruse my bookshelf for a hopefully similar story. I saw the Trinity book, saw that my old favorite (from Mage) had written and illustrated the story, and briefly flipped through to make sure it was 5-year-old appropriate. At a glance it seemed fine so my son and I sat down to begin reading.
The story, for those who haven’t read it, is meant to take
place early in Batman and Superman’s careers. It is also the first time Wonder
Woman interacts with either Superman or Batman.
First, the good.
Matt Wagner’s art has improved since his Mage days. I still
enjoy the sharp contrasts and the simple line work. While Wagner isn’t my
favorite artist he gets the job done. His art enhances the story (outside of a
few awkward panels) and he has a talent for conveying meaning without words.
The other good point was Superman. Superman is written true to character and
has a couple of humorous moments.
Now, the bad (and awful)
Okay, I could easily poke holes in the plot (melodramatic,
doesn’t make much practical sense, jumps around oddly) but you can easily tear
most arch-villain plots to shreds. I believe in relaxing and enjoying my comics
and while the plot could have been improved, I can let it slide.
The characters, with the exception of Superman, were
terrible.
Batman – yes, Batman is dark and brooding, especially in
contrast with Superman. However, Batman is still supposed to be a hero. Not
only has this version of Batman been spending too much time in the Frank Miller
universe, he also has a scene with Wonder Woman that is disgusting. The best I
could do was use it as a teaching moment and explain to my son that Batman
deserved to get hit in the face by WW after forcibly kissing her (after running
across her bathing in a stream…). I had a lovely time using one of my son’s
heroes as an example of what he should never do to someone. Matt Wagner vaguely
states Batman was overcome by the “island’s enchantment” and then fails to
explain what that is. Furthermore, this in no way contributes to the actual
plot or even to character development.
Wonder Woman – She has a few decent moments but spends a
majority of the story chained up, helpless, sexually harassed, and fawning
over Superman. Punching Batman in the face was one of her better moments.
Ras Al Ghul – What the heck Wagner?!? I had to skip over or
modify pretty much every work of Ras’ mouth when he’s around Wonder Woman. At
first, I thought I was maybe reading too much into it: “Ubu, incapacitate this…
colorful young woman. Have her bound and brought to my chambers. She should
provide several hours of amusement…” I mean maybe he’s just a sadistic torturer
rather than a rapist? Which isn’t better really, but I have never seen anyone
portray Ras as a rapist before. Then later in the story WW herself sums up a
later speech of his, “He plans the death of millions alongside my rape, smiling
all the while.” I just skipped/altered a lot of these lines while reading to my
kid. Ras was always at least a bit redeemable because of his love for his own
daughter and deceased wife. Previous versions of Ras have always treated women
with respect (at least the stories I grew up reading). Much of Ras’ appeal as a
villain (while written by anyone else) was that his message was compelling. He
is not compelling as poorly written sexual predator.
After enduring this book, I decided to re-read Mage. I was
worried that I had a skewed memory of Mage as an awesome book with a pretty amazing
teenage girl as a major character. Had Wagner always written women into the
same ways he handled WW? To my great relief the answer was no. Edsel was as
cool as I remember her. She was never meant to be a long-lasting character of
course (and I’m sure the Alex in the fridge crowd would argue she was used as a
plot device – but quite frankly all the characters in Mage are just plot
devices – pawns on a chess board). I always loved Edsel and her glowing baseball
bat (I always liked her way more than the main character) and I am glad I can
still enjoy Mage as a fun comic book.
Perhaps it would be better if Wagner stuck to his own
creations. He seems to do better with them.
Friday, February 02, 2018
The Return of Comics And….
Like bands of old getting back together to go on tour
once again Comics And… is making its dramatic return. And like those bands of
old the hair maybe grayer and the voices not as rich as they used to be, but
the money is just too good to pass up. Wait a minute no one is paying us and it
is probably only me who is grayer (more white) then before.
In the back of my mind I have had a bunch of things to
say about current comic books and the associated movies and TV shows. At the
same time I have become more enamored of art and even gotten into doing
commission pieces. Finally the nostalgia bug has hit me and I find I read old
comic collections as much as the new stuff. Worse I have gotten into buying
some older books because it is not just the story and art but the ads that I
actually enjoy.
With all of that as along preamble the point of this
brief article is to announce that we are back but on a limited basis. Our goal
is to post once a week at least and try and do the post on a Sunday. Gwen, Lee,
Matthew, Thomm and myself will post whatever is on our minds. And if the
“owner” of that week want to do multiple post he is free to do so. We
understood that an old school blog is somewhat passé, but we are doing this for
our own amusement and not looking to monetize it. So if you find us please
share and spread the word if you enjoy what we have to say. We are placing no
restrictions of what someone is posting so be aware this can be an opinionated
group.
What I hope to cover from my viewpoint over time is
commission artwork, original comic art, golden/silver age artists I have grown
to love, new comics, old comics and the vanishing inker. I hope we find our old
fans and maybe generate some new, but in the end it is as much about just shooting
an arrow into the air and see where it lands. Hopefully not putting out
someone’s eye.
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